Ford escape dashboard symbols and meanings

[Spoilers 1079] The Last Road Poneglyph Location/Speculation.

2023.04.01 12:15 taxikicker45 [Spoilers 1079] The Last Road Poneglyph Location/Speculation.

I think it's on Lodestar Island. It's the same Poneglyph that was moved from Fishman Island.
The Former Rocks Pirates and Roger are aware of the significance of the Red Poneglyphs, but by whom or how did they find out? Let's start with the Rocks Pirates they started at Pirate Island and wanted the world's riches, this attracted powerful members with 3 of them later becoming Yonko. They get the answer of how to get to Laughtale…but don’t care(at this point it's a location that promises nothing of value to the crew), they then pillage and murder their way to God Valley(presuming Marijoa comes later), where they meet their end against Garp and Roger. Roger doesn't learn second hand from the Rocks Crew at God Valley he finds out on his own presumably. Roger finds out about the existence of the last island because the log pose goes crazy once he reaches the final Island of Lodestar, he also finds out about the significance of Poneglyphs, in particular the red colored ones. But how? Does a person tell him or is it written down? I think there is a story that we haven’t heard yet that they have, something vague like to reach the final island, you have to seek out 4 large red stones inscribed with text to find it.
Roger then goes around the world, encountering several poneglyphs and taking rubbings to be deciphered later on, Roger was aware of the need of an interpreter for them and just finding the 4 road poneglyphs wasn’t enough. He recruits Oden who can read them and later finds Laughtale. Now Luffy has Robin to read the Poneglyphs and Big Mom had Charlotte Pudding who later on could awaken the ability to read to poneglyphs, now Blackbeard has her. But Big Mom had to have a child with a 3rd-eye tribe member, so where is he or the other tribe members? If they’ve been Lulusia’d then one of the last surviving members had a child and later died. Blackbeard needed Charlotte Pudding specifically because she may be the last known member of her tribe alive similar to King.
Roger tells everyone about the One Piece at his execution and says it's anyones for the taking if they can find it. There is now more significance placed onto Red Poneglyphs, because they take you to the grand treasure left by the Pirate King as well as what the Ancient Kingdom left. I feel as soon as Roger and Whitebeard had their final meeting, Whitebeard moves the Fishman Island Road Poneglyph knowing many will come for it and the strength to stop strong pirates isn’t there. Big Mom had one in her possession, it's unknown where she got it from, she has it before/during Rogers final voyage and he gets it then by sneaking a rubbing from it, Big Mom likely took it from wherever as a trophy or status symbol even if she was unable to decipher it.
After Wano, Shanks and Blackbeard are aware Kidd and Law have Road Poneglyph rubbings and demand them once they meet. Now Blackbeard was on Whitebeard's Crew and Shanks was on Rogers, so they learned the importance of them then. Assuming Blackbeard gets the Zou(Law was there unsure if he got it offscreen)and Wano Rubbings from Law, and we saw Shanks gets the Wano and Whole Cake Island(Killer confirms they get this in chapter 1056) rubbing from Kidd. Also a member of Kidd's crew hands over a stack of rubbings calling it our Road Poneglyph(S).
This puts Blackbeard at 2 Road Poneglyphs, missing the Whole Cake Island one and the other one, unless Shiryu took the Whole Cake one without anyone noticing or a similar deal to how Kidd pirates got theirs. So potentially 3 we know of, if he already had the other one from his days on Whitebeard's crew, then he’s at 4 and heading to Laughtale ZEHAHAHA.
This puts Shanks at 2 Road Poneglyphs from Kidd. Missing the Zou Road poneglyph and the other one.
Currently the Straw Hats have 3 from Zou, Whole Cake Island and Wano. The other one is missing and its whereabouts are currently unknown.
Cross Guild formed only very recently, if Captain John's treasure includes the Road Poneglyph then that will bring them into this. But currently Cross Guild doesn’t have any and are unlikely to get any because the only copies are among the other Yonko right now.
Kidd appeared at Elbaf and Shanks was there too with his Fleet; it may make sense for it to be at Elbaf. But there’s no known connection between Whitebeard and the Giants for him to entrust the Road Poneglyph to them, Whitebeard and Shanks talked before Marineford so he may have disclosed its location to Shanks and Shanks either knows or has moved it. But Shank’s fleet is considered widely weak so maybe he hides a great treasure among his territories, but that's hard to believe. He could have it on the Red Force his Flagship so it's always safe/with him. Blackbeard may know where it is since he was on Whitebeard's crew, but the period after he kills Thatch he loses contact, so if it was moved after that time he wouldn’t know where it is. They aren’t allied with the World Government too and one of the strongest forces in the world so can defend it from outsiders.
If Blackbeard had it, it would have been mentioned when Inuarashi says 2 Road Poneglyphs belong to Big Mom and Kaido, also Marco would know where it is right now he was closest to Whitebeard. The Navy and Weevil went to Sphinx island looking for Whitebeard's treasure and there is no mention of a Road poneglyph from Marco then. If the Payback war took place at the Road Poneglyph location and he obtained it then, Marco should have said something to Shanks or Luffy that he has it, but that didn’t happen. Also there is a point above in this post that mentions he potentially has 4 if everything assumption is right.
The first time we have seen each Road Poneglyph in the current day is when a member of the Straw Hat is near. Zou was by the crew minus Sanji and Jimbei, Whole Cake was by Brook (unsure if it was shown before he got to it) and Wano was by Robin. So in all cases it's the Road Poneglyph itself, they won’t get a rubbing they will see the real deal.
So why Lodestar? It fits some criteria I think are important.
1- It's currently unknown if it's a Yonko territory of either Shanks or Blackbeard. This is the most important point because it can’t be a race to Laughtale between Yonko unless there's one they will all converge on.
2- It's somewhere where Roger has been before.
3- Supporting point for 1 is that it's the last island that the log pose will take you to if you follow it all the way, meaning it's not just a converging point for Yonko but anyone who follows the log pose also means the Marines, Revolutionary Army, Cross Guild and everyone else can reach it. I don’t think the final war will take place at Lodestar, but it has some things going for it. Also its similar to how the worst generation all end up at Sabaody Archipelago.
4- Last Island of the Grandline so it puts them closer to it potentially.
5- Only the strongest pirates and crews can get through the whole grand line,considering you have to go through either Yonko territory or a Marine affiliated country, it's a great filter and very unlikely you ever get there. We only know the Roger Pirates reached it and then Laughtale.
The counterpoints I will add are:
1- Would Whitebeard place such an important object on an island most people won't reach completely unguarded or unaffiliated without a world power of some sort?
2- How will the race start? Probably the most confusing part will be how everyone finds out it's there and will converge to get it. Someone with a mind like Doflamingo/Blackbeard could have Morgans spread it in the paper and put the whole world into chaos. However it's done it will have to involve Morgans and his newspaper to spread it to every world power, I doubt a den-den mushi signal would be picked up by everyone to then race there.
TL;DR - It was moved to Lodestar by Whitebeard because the strong pirates found out about their significance from either former Rocks/Roger crew members and the connection to Laugh Tale. Because only Yonko level crew can truly reach it and it's unaffiliated to anyone so it's ripe for the taking by anyone.
submitted by taxikicker45 to OnePiece [link] [comments]


2023.04.01 12:00 coolnavigator The Masculinity Dialectic

Background

To understand some concepts I'm going to use, I would invite everyone to listen to this video. It's a reading of "Feeling Is The Secret" by Neville Goddard. You can obviously just get the book as well. It's only 44 pages. I think it happens to be something that works well as listening material for a 30 minute walk or drive. This is introductory material for self-initiation into the mysteries of the ancients. It outlines how one develops intent, after which the subconscious turns this intent into reality (internal reality), after which the self more or less acts automatically (still with conscious choice but an inherent limited capacity) to turn the internal reality into external reality. You may recognize its argument as being similar to popular book "The Secret" by Rhonda Byrne, but Goddard's treatment is far more profound and detailed, and it's only getting started!
I also suggest studying archetypes, which is really just symbolic/abstract psychology. A few avenues: Carl Jung, Jordan Peterson, Tarot cards, ancient pantheons from Scandinavia to Rome to Sumer, "tree of life" myths from Scandinavia to the Jewish Kabbalah, and other similar systems. Also useful are the dualistic concepts of the Chinese Yijing (philosophy of change).
I'm going to try to put all of these together and arrive back at the original question of masculinity and the damage currently done.

The Mind

At a very early stage in one's life, the mind is whole. There are no separate archetypes — just one thing. Over time, the mind divides. At a physical level, the more obvious and significant division is the left/right hemisphere divide. At an archetypal level, it is the father / mother (or simply masculine/feminine) figures and the hero / adversary figures. I believe you can keep going with no real end. Every "figure" or archetype in the mind can be divided into two more, allowing for an infinite variety of models that the self is developed from. Within the father, you can develop the good father, the bad father, the strict but fair father, the hippie but wise father, etc. Same with the variations on the mother. I won't list out all of these variations but instead focus on the first level to really illustrate how this works.
What's actually happening here? I believe the fathemother divide isn't truly based on gender, but the genders do have a typical expertise in one or the other. Based on Goddard's description of the process from visualization to physical reality, there are two major steps: the creation of want (deciding what you want and visualizing it before bed) and the realization of want (the dream-state where the subconscious is trained on the feelings produced before bed). The creation step is the "masculine" part, which "impregnates" the subconscious with feelings to be realized. The realization step is the "feminine" part, which "births" a "new mind" (or "new life", if we are using reincarnation terminology) when you wake up. Roughly speaking, this implies the conscious part of the mind is "masculine" and the subconscious part of the mind is "feminine". I'll just say this one last time: the genderization of these parts of the mind are firstly symbolic of their role in the creation of the self, and secondly may or may not contain some truth as to how the two genders' minds work slightly differently.
The other dualistic concept is the hero / adversary. As in the Egyptian Osirian tradition, Horus (the hero) is merely a reincarnation of his father (Osiris, the father figure). Thus, the hero is merely the "newborn" conscious mind upon waking up. Given that the conscious self (the ego) can adhere to its predetermined code (from prior training in the subconscious), or it can go against that code, you naturally have a hero vs adversary contrast within the conscious mind. The adversary is simply the self which denies all assumptions, all ideals, all past truths. This is not strictly "bad", although it could be bad in some situations. More commonly, this is merely depicted as mischievousness in myth, and it is very useful, important for things like creativity.
Now, it's time to discuss where we are at as a society and what the real meaning of the memetic trends are.

The Change

The primary symbolic change in western culture is the "bad father" (or toxic masculinity). This has created a dialectic:
This leads to a diminishing amount of people who:
What all of this really means is our thought processes are fundamentally limited. The "masculine" is the conscious self, the "feminine" is the subconscious. In preferring the subconscious and in turning the conscious into an anti-social beast, we are a ship lost at sea. The conscious self isn't directing the ship towards its rightful destination (truth, virtue, human goodness), and the subconscious isn't able to steer the ship alone. A full human needs both of these parts. Without both, were are in some way inhumane. Barbaric, partial humans.

Historical Origins

It's beyond the scope of this to fully describe the origins of such a cultural shift. However, I will outline a few places to look and draw a loose connection through time. This isn't meant to be a proof, but a roadmap to guide the reader for further research (with personal verification).
There were two distinct types of attacks on authority in the past 500 years.
These two groups claim to have a common enemy, an authoritarian elite, but their actual philosophies differ greatly.
As you can see, these two views are diametrically opposed. One views the creative power of humanity as essentially good, albeit flawed. The other views the creative power of humanity as essentially bad. You can see this thoroughly in modern and post-modern art, which acts as a parody to the human condition. It is consumed as the contrived, vain laugh by the very bourgeois that it claims to oppose. This self-hating (or completely out of touch, if they don't realize their own hypocrisy) class of people rules our current society as "the establishment", "the cathedral", "the regime". They are more directly left wing, but they are thoroughly within the right wing and thus represent both choices in our false dialectic of not only our political process, but the morals of our society as a whole.
To return to our cultural shift, the "bad father" arises from an attack by the collectivist schools of thought on all of society for the sins of a small minority. One way of elucidating this is: a few men at the top did some bad things, so all men are bad. It wasn't immediately like this, however. It started with the idea of: "if some Catholic leaders are bad, then all Catholic leaders are" (Reformation). Then, "if some men are unfairly attaining higher status after birth than other men, then all men are essentially cheating themselves from this theoretical 'blank slate' of existence" (Lockean philosophy). Then, "if some corporations (or owners of capital) are out of control, then all of them are" (Marxism). On and on, into the 20th century where we saw arguments by people such as Marcuse to return to a state of primitive sexuality and by feminists to return to a state without even a concept of gender to the latest thoughts, which outright make the claim that men are the enemy of all people, particularly any men which cling to any of the older modalities.
This is a war on human reason, which is a war on human nature itself. Nietzsche saw this as a fusion of the Apollonian and the Dionysian. There are two equivalent ways of breaking down that terminology, but the intent is the same. Perhaps the Dionysian is the good and pure masculine figure, whereas the Apollonian is the adversary figure, thus making the preference for the Apollonian a sort of highly masculine, bad father-esque philosophy. Perhaps the Apollonian is masculinity as a whole, and Dionysian is the femininity as a whole (albeit depicted as a male Dionysus because, ya know, Greeks). Either way, the point is that you need a balance of these figures. And so, to return to the original quote I used as theme "God is dead. God remains dead. And we have killed him.", the gist is that an imbalance was created, either by killing a holistic concept of a unified "god" in the self (creating the male vs female dialectic), or by assigning this "god" concept to either the conscious or subconscious part of the mind. As stated above, the clear meaning of Nietzsche's arguments is the creation of the dialectic, the splitting of the whole, and the imbalancing of the the bicameral mind in everyone.
submitted by coolnavigator to conspiracy_commons [link] [comments]


2023.04.01 11:59 coolnavigator The Masculinity Dialectic

Background

To understand some concepts I'm going to use, I would invite everyone to listen to this video. It's a reading of "Feeling Is The Secret" by Neville Goddard. You can obviously just get the book as well. It's only 44 pages. I think it happens to be something that works well as listening material for a 30 minute walk or drive. This is introductory material for self-initiation into the mysteries of the ancients. It outlines how one develops intent, after which the subconscious turns this intent into reality (internal reality), after which the self more or less acts automatically (still with conscious choice but an inherent limited capacity) to turn the internal reality into external reality. You may recognize its argument as being similar to popular book "The Secret" by Rhonda Byrne, but Goddard's treatment is far more profound and detailed, and it's only getting started!
I also suggest studying archetypes, which is really just symbolic/abstract psychology. A few avenues: Carl Jung, Jordan Peterson, Tarot cards, ancient pantheons from Scandinavia to Rome to Sumer, "tree of life" myths from Scandinavia to the Jewish Kabbalah, and other similar systems. Also useful are the dualistic concepts of the Chinese Yijing (philosophy of change).
I'm going to try to put all of these together and arrive back at the original question of masculinity and the damage currently done.

The Mind

At a very early stage in one's life, the mind is whole. There are no separate archetypes — just one thing. Over time, the mind divides. At a physical level, the more obvious and significant division is the left/right hemisphere divide. At an archetypal level, it is the father / mother (or simply masculine/feminine) figures and the hero / adversary figures. I believe you can keep going with no real end. Every "figure" or archetype in the mind can be divided into two more, allowing for an infinite variety of models that the self is developed from. Within the father, you can develop the good father, the bad father, the strict but fair father, the hippie but wise father, etc. Same with the variations on the mother. I won't list out all of these variations but instead focus on the first level to really illustrate how this works.
What's actually happening here? I believe the fathemother divide isn't truly based on gender, but the genders do have a typical expertise in one or the other. Based on Goddard's description of the process from visualization to physical reality, there are two major steps: the creation of want (deciding what you want and visualizing it before bed) and the realization of want (the dream-state where the subconscious is trained on the feelings produced before bed). The creation step is the "masculine" part, which "impregnates" the subconscious with feelings to be realized. The realization step is the "feminine" part, which "births" a "new mind" (or "new life", if we are using reincarnation terminology) when you wake up. Roughly speaking, this implies the conscious part of the mind is "masculine" and the subconscious part of the mind is "feminine". I'll just say this one last time: the genderization of these parts of the mind are firstly symbolic of their role in the creation of the self, and secondly may or may not contain some truth as to how the two genders' minds work slightly differently.
The other dualistic concept is the hero / adversary. As in the Egyptian Osirian tradition, Horus (the hero) is merely a reincarnation of his father (Osiris, the father figure). Thus, the hero is merely the "newborn" conscious mind upon waking up. Given that the conscious self (the ego) can adhere to its predetermined code (from prior training in the subconscious), or it can go against that code, you naturally have a hero vs adversary contrast within the conscious mind. The adversary is simply the self which denies all assumptions, all ideals, all past truths. This is not strictly "bad", although it could be bad in some situations. More commonly, this is merely depicted as mischievousness in myth, and it is very useful, important for things like creativity.
Now, it's time to discuss where we are at as a society and what the real meaning of the memetic trends are.

The Change

The primary symbolic change in western culture is the "bad father" (or toxic masculinity). This has created a dialectic:
This leads to a diminishing amount of people who:
What all of this really means is our thought processes are fundamentally limited. The "masculine" is the conscious self, the "feminine" is the subconscious. In preferring the subconscious and in turning the conscious into an anti-social beast, we are a ship lost at sea. The conscious self isn't directing the ship towards its rightful destination (truth, virtue, human goodness), and the subconscious isn't able to steer the ship alone. A full human needs both of these parts. Without both, were are in some way inhumane. Barbaric, partial humans.

Historical Origins

It's beyond the scope of this to fully describe the origins of such a cultural shift. However, I will outline a few places to look and draw a loose connection through time. This isn't meant to be a proof, but a roadmap to guide the reader for further research (with personal verification).
There were two distinct types of attacks on authority in the past 500 years.
These two groups claim to have a common enemy, an authoritarian elite, but their actual philosophies differ greatly.
As you can see, these two views are diametrically opposed. One views the creative power of humanity as essentially good, albeit flawed. The other views the creative power of humanity as essentially bad. You can see this thoroughly in modern and post-modern art, which acts as a parody to the human condition. It is consumed as the contrived, vain laugh by the very bourgeois that it claims to oppose. This self-hating (or completely out of touch, if they don't realize their own hypocrisy) class of people rules our current society as "the establishment", "the cathedral", "the regime". They are more directly left wing, but they are thoroughly within the right wing and thus represent both choices in our false dialectic of not only our political process, but the morals of our society as a whole.
To return to our cultural shift, the "bad father" arises from an attack by the collectivist schools of thought on all of society for the sins of a small minority. One way of elucidating this is: a few men at the top did some bad things, so all men are bad. It wasn't immediately like this, however. It started with the idea of: "if some Catholic leaders are bad, then all Catholic leaders are" (Reformation). Then, "if some men are unfairly attaining higher status after birth than other men, then all men are essentially cheating themselves from this theoretical 'blank slate' of existence" (Lockean philosophy). Then, "if some corporations (or owners of capital) are out of control, then all of them are" (Marxism). On and on, into the 20th century where we saw arguments by people such as Marcuse to return to a state of primitive sexuality and by feminists to return to a state without even a concept of gender to the latest thoughts, which outright make the claim that men are the enemy of all people, particularly any men which cling to any of the older modalities.
This is a war on human reason, which is a war on human nature itself. Nietzsche saw this as a fusion of the Apollonian and the Dionysian. There are two equivalent ways of breaking down that terminology, but the intent is the same. Perhaps the Dionysian is the good and pure masculine figure, whereas the Apollonian is the adversary figure, thus making the preference for the Apollonian a sort of highly masculine, bad father-esque philosophy. Perhaps the Apollonian is masculinity as a whole, and Dionysian is the femininity as a whole (albeit depicted as a male Dionysus because, ya know, Greeks). Either way, the point is that you need a balance of these figures. And so, to return to the original quote I used as theme "God is dead. God remains dead. And we have killed him.", the gist is that an imbalance was created, either by killing a holistic concept of a unified "god" in the self (creating the male vs female dialectic), or by assigning this "god" concept to either the conscious or subconscious part of the mind. As stated above, the clear meaning of Nietzsche's arguments is the creation of the dialectic, the splitting of the whole, and the imbalancing of the the bicameral mind in everyone.
submitted by coolnavigator to conspiracy [link] [comments]


2023.04.01 11:50 AutoModerator [Get] Private Wealth Academy – Debt Removal Secrets

[Get] Private Wealth Academy – Debt Removal Secrets
Download course here: https://www.genkicourses.com/product/private-wealth-academy-debt-removal-secrets/
[Get] Private Wealth Academy – Debt Removal Secrets
https://preview.redd.it/ltao71a1p8ra1.png?width=800&format=png&auto=webp&s=5b3486e3a283dff9d7735b8d236c27509ac93903

What You Get:

The Banks Use Sleight Of Hand To Rob You & Turn You Into A Slave!
You probably see the signs all over the place… things are getting harder for most people… but you might not understand how it’s happening (or how to escape it). We’ll go deeper into this later, but I don’t want to overwhelm you. The goal here is TAKE ACTION. Great knowledge with consistent action will reap amazing results!
Understand this: The reality of the money system and everything you were taught about money is FALSE!
The simple fact is that you do not owe any money. The actual transaction of a “loan” is that you gave them a promise to pay and the “lender” gave you the same amount of promises to pay (Federal Reserve Notes). Therefore, the transaction was complete according to the “lender’s” accounting records.
Read that again. Because what that means is that banks are having you pay back money, plus interest, that doesn’t belong to them. After you get angry for a second, just take a deep breath and then let’s move on.
📷
submitted by AutoModerator to CoursesBestOf2023 [link] [comments]


2023.04.01 11:47 anothxrthrowawayacc help with work accomodations with limited resources?

(TLDR at the end)
so I'm working in a jewelery shop (soon to do my piercing course too!) and right now I'm three weeks in and completely burnt out. I have to work because I'm couch surfing and need the money. but I'm REALLY struggling to find some things to help me get thru the day.
one big issue is that my workplace doesn't have a back room. we're in a mall + there's just no space. it means we have no space when we have stock, but the biggest issue is that we don't have a break room, so I don't have anywhere to go to escape and unmask and relax, because when I go on break, it's straight out the store and into the busy shopping centre and the food court. so even on my break, I'm not actually getting any sort of break, because I still have to mask and present myself to the other ppl around me.
I also can't put headphones on during any moment at work because it's such a talkative job and my manager wants us talking to as many customers as possible. which is fine, until I'm 3 hours into a shift and burnt out. the music the store plays is a short playlist that plays 2-4 times every shift, so the songs are actively just making me frustrated and overwhelmed and my brain keeps focusing on the small details and its like it's grating my brain, but we're not allowed to change it. so all it's been doing is aiding my sensory overload and making it worse.
basically I wanted to know if anyone has any ideas for work place accomodations that will help, or any ideas of things I can implement to try make it a less stressful environment. I've been trying to look at ideas but struggling to find something that works with the restrictions that are in place.
TLDR: - working in a jewelery shop - no back room or break room to escape to - unable to wear headphones - overwhelming music but unable to change it
if anyone has any ideas pls lemme know. thanks
submitted by anothxrthrowawayacc to autism [link] [comments]


2023.04.01 11:42 Starman454642 Regarding "What if Sirius told Harry about the mirror"

Loved the 'what if', personal always wondered why Sirius never told Harry (man, it is basically a magical iPhone in the 90's!)
Only two things to add. 1: Isn't the Cruciatus Curse unblockable just like Avada Kedavra? I mean its not too big of an issue and doesn't effect the story much if it is blocked.
2: WHY DID THEY GLOSS OVER THE SURVIVAL OF MOODY!!!!! I mean Moody would be an aid yes, but Umbridge not having his eye is VERY important. The reason the Golden Trio was camping in the first place was because as they where escaping the Ministry, they accidentally shared the location of Grimmauld Place with Yaxley, rendering the group unable to live there. Yaxley was able to just catch the Trio was because Umbridge noticed the missing eye that Harry took, so she sounded the alarms. If she never had the eye, Harry world of never accidentally tiped off Umbridge, and even if Umbridge did notice Harry was in her pink dungeon, she probably wouldn't know instantly like when her door eye was missing. Even a second delay would allow for the trio to escape, allowing for them continue to live at Number 12. This means they dont have to wear the locket all the time, as they can just hide it in the house, so Ron wont leave. The Snatchers MIGHT not capture them, as for one, it is unknown how strong the fidelius charm is, and if it would break if they spoke Voldemorts name, or if they would even be in the position to say his name, as there would not be as much tension between them.
Some problems arise, as Snape would have trouble giving the Sword to Harry, but tbh because he knows of Number 12, he may just go in and drop it off before the Dumbledore trap gets him (he may even be able to convince Harry he is on his side and tell him everything at Number 12 if he gives them the Sword)
Just my take, but would love for others to build upon my theory of a theory.
submitted by Starman454642 to SuperCarlinBrothers [link] [comments]


2023.04.01 11:28 Responsible_Focus729 Curious to see what people think of these changes to Zariel's story!

I made some edits to Zariel's backstory/character to give the whole thing a more "intrigue" feel and to make Zariel more redeemable, with clues handed out at appropriate moments for players to piece this whole narrative together, and the final hints appearing in the Idyllglen sequence. Having now completed the module with these tweaks and getting a good response from players, I'm curious to see what people think of what I did and what they'd change/keep!
(WARNING: SPOILERS)
submitted by Responsible_Focus729 to DescentintoAvernus [link] [comments]


2023.04.01 11:19 MirkWorks Notes and Fragments from Twilight of Phantoms: On Resentment and Sympathy

“The lover carves into his soul the model of the beloved. In that way, the soul of the lover becomes the mirror in which the image of the loved one is reflected.” - Marsilio Ficino, Commentary on Plato's Symposium
Nietzsche’s criticisms of Hegel are often conflated with Schopenhauer’s. Often by people who type things like, “I’m in the Schopenhauer camp when it comes to Hegel and his ilk.” In a series of Beeps-and-Boops they copy-and-paste Schopenhauer’s loathing without any of Schopenhauer’s substance (which would require actually engaging with Schopenhauer and Hegel) instead these Thinkers exists as little framed photos on a candle covered shrine in Geocities. Even if they’re correct they’re still wrong and worthy of immediate scorn and derision. We must express the most profound sense of Christian Pity and Charity at the sight of their nakedness.
It’s easy to spiral on this particular subject but unbecoming, revealing, even damning. What they don’t seem to process, is that the seethe and the scolding and the tantrums are in their manner the highest form of compliment either philosopher could muster. That the younger Schopenhauer’s response to Hegel’s semantic blunder should be a kind of ecstatic fury that propelled his career as a philosopher. That Schopenhauer is endearing when he puts pen to paper and writes:
“May Hegel's philosophy of absolute nonsense - three-fourths cash and one-fourth crazy fancies - continue to pass for unfathomable wisdom without anyone suggesting as an appropriate motto for his writings Shakespeare's words: "Such stuff as madmen tongue and brain not," or, as an emblematical vignette, the cuttle-fish with its ink-bag, creating a cloud of darkness around it to prevent people from seeing what it is, with the device: mea caligine tutus. - May each day bring us, as hitherto, new systems adapted for University purposes, entirely made up of words and phrases and in a learned jargon besides, which allows people to talk whole days without saying anything; and may these delights never be disturbed by the Arabian proverb: "I hear the clappering of the mill, but I see no flour." - For all this is in accordance with the age and must have its course.”
Tempestuous little man. Without Hegel’s error what would’ve become of Schopenhauer? Would he have attempted to actively compete against Hegel? Hegel as the Phantom of Eric Roberts in the Killers Miss Atomic Bomb music video? The Other-Ghost, Hegel’s Smirking Geist cucking Schopenhauer, Sophia in his arms, Schopenhauer casts the wedding ring to the ground and runs away. As was the case in respect to Kierkegaard. Cucked out of marriage by the Ghost & Machine. “And it’s all in my head, but she’s touching his chest now, he takes off her dress now, LET ME GO. And I just can’t look it’s killing me. And taking control.”
An error is a wound is a mercy.
Nietzsche is different. Unlike Schopenhauer he doesn’t pretend to create a superior metaphysical system (the Platonic Carnivalesque) to rival Hegel’s.
I think the spirit of a Nietzschean critique of Hegel is best exemplified by aphorism 317 in Daybreak,
The judgment of the evening. - He who reflects on the work he has done during the day and during his life, but does so when he has finished it and is tired, usually arrives at a melancholy conclusion: this however is not the fault of his day or his life, but of his tiredness. - In the midst of our work we usually have no leisure to pass judgment on life and existence, nor in the midst of our pleasures: but if we should happen to do so, we should no longer agree with him who waited for the seventh day and its repose before he decided that everything was very beautiful - he had let the better moment go by.”
Hegel as a Christian Nihilist and the Dialectic as Slave Morality. All finite forms of life attain their truth in the process of self-overcoming. Hegel uses Negativity to pacify an excess of Negativity. Hegel’s System annuls the Abyss. The Truth of any given determination is realized in its exhaustion. This Truth is what Remains. As part of a Whole. Eternal. Defeat for Hegel is what brings us to our Truth. That the subject’s defeat should purify it of its particularities and its impositions. My thoughts are already part of reality. This Knowledge leads to renunciation. I’m no longer attempting to impose or enforce myself on reality, to shape it in the heat of my perverse gaze. I look up at the stars and recognize a series of sores oozing out a brilliant light. In the Beggar’s Eye I see Christ. Saint Lazarus draped in indigo rags surrounded by dogs. In the Eyes of the King of the World, Christ. In the Illness the Cure. In the Poison the Medicine.
Hegel stands next to his student, the student looks up at the starry sky in awe. “They are the abode of the blessed.” Hegel grumbles, “The stars, hum! Hum! The stars are only a gleaming leprosy in the sky.’” Like Lorde, he never watches the stars because there’s so much down here. As he puts it in one lecture,
“The human being is this Night, this empty nothing which contains everything in its simplicity - a wealth of infinitely many representations, images, none of which occur to it directly, and none of which are not present. This [is] the Night; the interior of [human] nature, existing here - pure Self - [and] in phantasmagoric representations it is night everywhere: here a bloody head suddenly shoots up and there another white shape, only to disappear as suddenly. We see this Night when we look a human being in the eye, looking into a Night which turns, terrifying. [For from his eyes] the night of the world hangs out towards us.”
Let us then briefly think with Hegel whose underling problem is, from the very beginning of his thought, that of love.
What is Blue?
According to Goethe in his Theory of Colors,
“As yellow is always accompanied with light, so it may be said that blue still brings a principle of darkness with it.
This color has a peculiar and almost indescribable effect on the eye. As a hue it is powerful — but it is on the negative side, and in its highest purity is, as it were, a stimulating negation. Its appearance, then, is a kind of contradiction between excitement and repose.
As the upper sky and distant mountains appear blue, so a blue surface seems to retire from us.
But as we readily follow an agreeable object that flies from us, so we love to contemplate blue — not because it advances to us, but because it draws us after it.
Blue gives us an impression of cold, and thus, again, reminds us of shade. We have before spoken of its affinity with black.
Rooms which are hung with pure blue, appear in some degree larger, but at the same time empty and cold.
The appearance of objects seen through a blue glass is gloomy and melancholy.”
Goethe and a defense of Goethe’s critique of Newton’s Opticks unites Hegel and Schopenhauer. That color is produced by light and by what stands against it. Goethe who said that were the eye not of the sun how could we behold the light. Brilliant in the poetic continuity this expresses. A golden chain from Empedocles to Plato and Aristotle to the Stoics and so on. Summarized here elegantly by the physicist Arthur Zajonc, “the interior light coalesces with daylight, like to like, forming thereby a single homogenous body of light. That body, a marriage of inner light and outer, forges a link between the objects of the world and the soul. It becomes the bridge along which the subtle motions of an exterior object may pass, causing the sensation of sight.” Aristotle proposed the existence of a Proton Organon or Primary Instrument, an organ of congealed pneuma, located in the heart, that reconciles the division between the sensible and the intelligible. The Stoics would go on the rename this Mercurial (both volatile-subtle and fixed) Instrument, the Hegemonikon, the synthesizer or icon-maker. Whose function is to produce phantasms. The instrument through which the soul transmits all vital activities to the body and also the body’s way of capturing the sensations from the five senses and translating them into phantasms or images that could be understood by the soul.
The Lover longing loving unrequited. Smiling like she means it. Being-thrown into this World. Never fully at home, refracted, out of joint. That this affliction is our common inheritance. I think this is our patrimony. We are the heirs of this Abyss. It is to some degree I think fundamentally "Western" fundamentally "Romantic". Regardless of political opinion or alignment. It speaks to us. Through us. Perhaps it's because the Republic of Letters is largely comprised of Melancholic Perverts. Nostalgia or homesickness, as a longing for a reality which can only be possessed through the imagination and through the dream, the genuine site of anamnesis or recollection in the unreal. Evoking for us the movement of the soul described by the Venetian Magician-Philosopher Guilio Camillo; descending through the Lunar Gate of Cancer (of man), drinking from the cup of Bacchus and, depending on how much one imbibes, forgetting about all the things ‘up there’ before making our way back through the Saturnine Gate of Capricorn (of the gods). Tightrope walking to Luna. I see her so very clearly. My Corporeal Dasha, Giordano Bruno would rebuke me harshly, that I should Simp as I do for "these eyes, these ears, this blush, this tongue, this tooth, this hair, this dress, this coat, this little shoe .. . , this sun in eclipse, this crazy person, this slut, this stench, this deathbed, this privy, this mensturation, this corpse... which, by means of a superficial appearance, a shadow, a phantasm, a dream, a Circe-like charm in the service of procreation, deceives us by taking the form of beauty." Fuck it. Yet there is an Image behind the Image, a Woman behind my woman. The Platonic Dasha. Daria the Luminous Homunculi. Madonna Intelligenza who has served as a guide throughout this journey. “Keep your eyes on me.” I wobble on the tightrope, your eyes are what kept me, you and your rose-wreathed heart lit. A Unity-of-Opposites. Georges Bataille writes in The Sorcerer's Apprentice, “The image through which, in an instant, destiny has become alive thus finds itself projected into a world foreign to everyday agitation. The woman toward whom a man is draw, as to his human destiny, no longer belongs to the space that money controls. Her sweetness escapes the real world, through which she moves without allowing herself to be any more imprisoned than a dream. Misfortune would ravage the spirit anyone who lets himself be possessed by the need to reduce her.”
On Love Hegel writes, “Since love is a sensing of something living, lovers can be distinct only in so far as they are mortal and do not look upon this possibility of separation as if there were really a separation or as if reality were a sort of conjunction between possibility and existence. In the lovers there is no matter; they are a living whole.” That the Unity of Love is informed precisely by the division or difference between the Lover and the Beloved. The Union of Love, “…can remain so only as long as the separate lovers are opposed solely in the sense that the one loves and the other is loved, i.e., that each separate lover is one organ in a living whole.”
Here we might ponder Hegel’s Philosophy as a Philosophy of Death. The vespers-born melancholy conclusion is perhaps being that all Love is Unrequited. As Marsilio Ficino notes in his Commentary on Plato’s Symposium, “Insofar as it is death, it is bitter, and insofar it is voluntary, it is sweet. He who loves dies; for his consciousness, oblivious of himself, is devoted exclusively to the loved one, and a man who is not conscious of himself is certainly not conscious in himself. Therefore, a soul that is so affected, does not function in itself, because the primary function of the soul is consciousness…. Therefore, the unrequited lover lives nowhere; he is completely dead.”
Blue the color of Sulfur ignited. Blue the color of the Ocean of the Dead, of Dasein. The blue knees of a prayerful lover and the blue lips of the lovelorn fool, “Here’s to my love - O true apothecary! Thy drugs are quick. - Thus with a kiss I die.” That the smell of bitter almonds should remind the good doctor of unrequited love.
Such a melancholy conclusion can only be produced by a proper melancholic. Melancholy was regarded by Ficino as one of seven exemptions in which the bond between body and soul was weakened, allowing the soul to take flight and acquire the gifts of premonition and clairvoyance. Saint Albertus Magnus writes of the two kinds of melancholy. Hot melancholy and its two primary effects on the subject’s phantasmic activity he describes thusly,
“The first consists in the mobility of the phantasms within the subtle organism: the second, in the great capacity of phantasms to stay impressed upon the pneuma. This brings with it, besides a prodigious memory, an extraordinary capacity for analysis. This is why, Ficino tells us, 'all the great man who have ever excelled in an art have been melancholic. Either because they were born so or become so through assiduous meditation.”
Philosophy begins with this Unhappy Consciousness. The Alienated Soul lithe and loveless, which is the consciousness of self as a divided nature, a doubled and merely contradictory being. Dissatisfied with its Self and the World it retreats inward, like a Nymph fleeing Pan, fleeing into Reflection, which might likewise take the form of a fleeing into Nature (think Thoreau’s Walden). Herein is the mirk. This Narcissistic dialectic between Subject and Phantasmata. The Ouroboric Narcissism of the Beautiful Soul.
Another affliction associated with Melancholy is Hysteria. The Psychoanalyst Jacques Lacan refers to Hegel as the most Sublime Hysteric. The Hysteric asks questions because they experience their own desire as if it were the desire of the Other.
The Spirit retreats into a pre-rational state of life, a Life of Feeling, that this feeling expresses a movement in which the soul is no longer simply natural, but able to realize a mastery over itself.
“Finally, in the “feeling of self,” the individual becomes “a sensitive totality.” But the gradual formation of the ‘I’ is paradoxically accompanied by a loss of fluidity, leading to “ruin and disaster within the conscious spirit.” This crisis results from the fact that the subject, being constituted in a free relation to the self, feels at the same time like ‘another’, and this tension pushes it into a state of ‘trembling’ (durchzittern).” The Future of Hegel, Plasticity, Temporality, Dialectics, Catherine Malabou.
How does Hegel escape? Or perhaps more accurately how can we escape this trap? This Pneumatic Mirror-World. Of Subject-Mirror-Phantasmata. The Romantic Prison? Of one who learns of Love in order to be Loveless? Hold that thought.
Returning to the color blue, the psychologist James Hillman writes in Alchemical Psychology,
“This is the realm of the alchemical (kyanos, blue; kynos, dog); blue takes on a dog-like quality: hangdog and dirty dog, both. Why does depression seek porn? For arousal? For Eros and Priapos and Venus to come to life? Rather, I think, to maintain the depression, to re-direct the verticality of desire downward and backward (doggy fashion), clipping the wings of eros. Pornography - an opus contra naturam, a counter-instinct of the psyche, perverting the conventionally natural, enslaving, torturing; an erotics of despair.
To translate these esoteric references into the blue dog’s perverse obsessions we discover this: Invisible Hades appears in the world as Dionysus. There is a divine (i.e., invisible, unfathomable) impulse that seeks to enter ordinary life. It wants to know the soul in the Biblical sense. Carnal knowledge, intimate knowledge, knowledge of intimates. (Hence the innumerable images of copulation throughout alchemy.) The soul longs for this copulation, and sings its longing in the blues, blueing its own flesh, drawing the divine down into the ordinary body. (Hence the blues’ libidinous mood.)”
My Cup Overfloweth.
Pure thinking-subjectivity is phantasmological or hauntological. The role of the Phantasmata in the context of medieval philosophy, is described exquisitely by Mauricio Loza in The Hounds of Actaeon. The Phantasm or Phantom is understood “as a mental image with effects reaching not only the level of perception but that of social construction, the phantasm exists in the twilight between the objective and the subjectivity, the material and the immaterial, a zone of indistinction between reality and unreality. This is why the phantasm pulls us towards the twilight from whence it comes: Its central action is to drag us into the shadow of the world.”
Minerva’s Owls unfurls its wings only with the falling of dusk.
For the great Persian scholar Avicenna, sensory phantasms were processed through five virtues or powers corresponding to five cavities in the cranium; phantasy or common sense, imagination, cogitative virtue, the estimative virtue, and finally the reminiscent virtue. According to Georgio Agamben in his work Stanzas: Word and Phantasm in Western Culture, Avicenna conceives of this gradation through the inner senses as a "progressive 'disrobing' (denudatio) of the phantasm from its material accidents."
Material accidents in this instance, evoking the etymological origins and proliferation into common speech of the word "accident" itself.
Ad - 'towards to' and cadere - 'to fall'. The Latin Accident - 'happening' used in late Middle English to refer to 'an Event'. Used to refer to the parts of the sacred bread and wine that remained after the transubstantiation through the sacrament of The Holy Eucharist,
“Thus, throughout the history of Scholasticism we have to do with a sort of triangle of intellectual forces: Realism and Nominalism fighting a five hundred years’ war, and the Church, in its official capacity, anxiously endeavouring to hold the balance between them. One wonders whether the three parties to this ancient dispute may not have found symbolic expression in Tweedledum, Tweedledee, and the ‘Monstrous Crow’ of nursery legend. But it is no disparagement of the intellects of that day to say that to us the chief interest of their polemics lies in the many new and accurate instruments of thought with which they provided us. The common word accident is an excellent example. We use it every day without realizing that it was only imported from Latin by the indefatigable efforts of the Schoolmen to reconcile the doctrine of Realism with the Catholic dogma of Transubstantiation. The accidents, when they first came into the English language, meant that part of the sacred bread and wine which remained after the substance had been transmuted into the body and blood of Christ.” History in English Words, Owen Barfield
Here we see a process of Pneuma returning to Pneuma through this process of Rising and Falling. That the Absolute Idea is a Radiant Star. That the Phantasm undergoes a kind of purification process, from the sensible to the spiritual to the mnemonic. That this purification entails a kind of excremental remainder. A material accident. An excess which goes?
This brings to mind the question that the Sophist Parmenides (in Plato's Parmenides) raises to Socrates, which forces Socrates to admit to his own limitations. It utterly stumps the Apostate Tragedian. That being whether or not there is an eidos or Pure Idea of the lowest material things. Things like excrement and dust and I might add these eyes, these ears, this blush, this tongue, this tooth, this hair, this dress, this coat, this little shoe .. . , this sun in eclipse, this crazy person, this slut, this stench, this deathbed, this privy, this mensturation, this corpse...
The Ghost and The Star
Recall the episode with Hegel comparing stars to leprosy sores. This got out around town and Hegel found himself having to address this controversy,
"It has been rumoured round the town that I have compared the stars to a rash on an organism where the skin erupts in an countless mass of red spots: or to an ant-heap in which too, there is Understanding and necessity. In fact, I do rate what is concrete higher than what is abstract, and an animality that develops into no more than a slime, higher than the starry host."
The rock is a rock.
Hegel defines the Domain of Art as the “sensible appearing of the idea”… or the Idea given expression in Sensuous Form. This is to be understood as The Star shining through The Ghost. This opposition between Form and Content. This Contradiction is what animates the Motion of Spirit. From Art towards Philosophy.
She is and is not. Ah wait. I'm not her. But in this regard I am the same and suddenly the Ghost is Concretized.
Alexandre Kojève in his Lectures on the Phenomenology of Spirit writes,
"It is known that Hegel asserted that his knowledge is circular, and that circularity is the necessary and sufficient condition of absolute truth - that is, of complete, universal, and definitive (or "eternal") truth."
The Hysterics quandary finds some resolution. The question of the Other is reflexively transformed into the answer to the question.
"In the Wise Man's absolute Knowledge, each question is its own answer, but is so only because he goes through the totality of questions-answers that forms the entirety of the System. Likewise, in his existence, the Wise Man remains in identity with himself, he is closed up in himself; but he remains in identity with himself because he passes through the totality of others, and is closed up in himself. Which (according to the Phenomenology) means, quite simply, that the only man who can be Wise is a Citizen of the universal and homogeneous State - that is to say, the State of the Tun Aller und Jeder, in which each man exists only through and for the whole, and the whole exists through and for each man."
We return to Self-Consciousness. We're not the same. We're different. Tonight.
Eros pins Pan. Chronos clips Eros’ wings. Compulsion is overcome by Love. Love is overcome by Time. Love can only be actualized and concretized through Time. When it must Dwell in a given Space. This is the Poetic-Plasticity. This is the Commitment.
“Desire has reserved to itself the pure negating of the object and thereby unalloyed feeling of self. This satisfaction, however, just for that reason is itself only a state of evanescence, for it lacks objectivity or subsistence. Labour, on the other hand, is desire restrained and checked, evanescence delayed and postponed; in other words, labour shapes and fashions the thing.” (Phenomenology of Spirit)
We begin with the Problem of Love and in the Problem find the Solution. Love is the Answer to the Question of Love. Loving is to give what one does not have.
Our Unrequited Love is Mutual,
“In fact, there is only one death in mutual love, but there are two resurrections, for a lover dies within himself the moment he forgets about himself, but he returns to life immediately in his loved one as soon as the loved ones embraces him in loving contemplation. He is resurrected once more when he finally recognizes himself in his beloved and no longer doubts that he is loved. O, happy death, which is followed by two loves. O, wondrous exchange in which each gives himself up for the other, and has the other, yet does not cease to have himself.” Commentary on Plato's Symposium, Marsilio Ficino.
To be Overcome is to Animate. This is the Labor of Love. Productive Labor as Art.
You understand why Hegel is so very frustrating? In his System. In the Movement from East to West back East. We find the Heiros Gamos, the Sacred Matrimony of Eros and Sophia, and in this Unity of Opposites the philosopher becomes the Sage. In the production of this Heiros Gamos, Hegel's System becomes the Perfect Pneumatic Circle.

I make of Nietzsche a traveling companion through Hegel’s Aesthetics. Why? Because The Birth of Tragedy is crudely Hegelian. Here we find ourselves encountering what is so very frustrating about Hegel and his Pneumatic Circle, his method and his system. From the occultists perspective this is because Hegel’s System is an Artifice of Sacral or Mythic Time, of Cyclical Time. The genuinely infuriating thing is realizing that the Artifice, the “Copy” is in fact the original. This is why some speak of the feminizing effect of Hegel. Feminizing in the way Achilles’ is feminized by Scamander. That not only do we never step in the same river twice and that the river is the site of the Doom-driven Hero’s self-fulfilling prophesy.
As Nietzsche himself puts it, “one cannot refute an eye disease.” I thought it would be stimulating to read The Birth of Tragedy through the lens of Hegel’s Lectures on Aesthetics. Framing Nietzsche and his insights within a Hegelian Tableaux. Nietzsche who denounces Metaphysical Systematization. Demurely objecting he says, “unhand me woman,” with a little blush. Does he mean it? I don’t think it was Hegel’s Dialectical Method or Logic that Nietzsche objected too. Denouncing instead the refraction between the Philosopher and the Logic (an ironic detachment)… that the Philosopher and his Logic are not two separate beings. That for him the Philosopher is Alkahest or Universal Solvent. Body and Soul collapse into a singularity, Art and Artists. No, in a sense Nietzsche celebrates the animating antagonism at the Heart of Hegel’s work. That this refraction is what results in the System which Nietzsche saw as modeling contemporary German Bourgeois fearfulness and timidity simply solidifies into Consensus. “I’m old and I don’t want to be alone.” That the System should be a kind of Metaphysical Prison concretized around the Fiery Pneuma, the brilliance of Hegel’s Esprit.
The application of the Dialectical Method is evidenced throughout The Birth of Tragedy; The Apollonian thesis, the Dionysian antithesis, the Tragic synthesis. Or perhaps in a manner more accurate to Hegel; The Dionysian Abstract, the Apollonian Negation, the Tragic Negation-of-Negation, and the Socratic Concretization.
The section dedicated to a retrospective appraisal of The Birth of Tragedy in Ecce Homo, Nietzsche concludes that all the good things he had ever written about Richard Wagner were actually about him. He was talking about himself the whole time without even realizing it, “"Even psychologically all decisive traits of my own nature are projected into Wagner’s - the close proximity of the brightest and the most calamitous forces, the will to power as no man ever possessed it, the ruthless courage in matters of the spirit, the unlimited power to learn without damage to the will to act.” Poor Nietzsche he who was too high-strung for his own good. Comes to a conclusion paralleling Hegel as it concerns Art, specifically Music. Perhaps one day, there will be Dionysian future for music. But for now, the Pneuma roils through space-and-time, and it culminates in Nietzsche or Zarathustra, as the Last Philosopher or the first Tragic Philosopher. Who despite all the aristocratic pretensions cannot help but write in a popular and accessible manner. Writing into motion the conditions for the Dionysian resurgence he had once thought was being spearheaded by the compositions of Richard Wagner.
He goes so far as to be both Beethoven and Goethe’s response to Beethoven in the anticipation of his works and in the need for them to remain ‘exclusive’ despite their undeniably popular character. Goethe in his old age weeping softly to Beethoven’s sonatas, proclaims “If such music were performed by a large orchestra, it would destroy everything around it.”
The stylish and inspirited Vitalism of Nietzsche’s ruminations is Pneumatic. A red dot in the center of a dark blue sphere.
Dialectics reveals an Infinite Spiral. The Circle divided by a straight-line. Containing the spiral. The straight-line breaks through the circle. Above and Below. Revealing three other spheres. Above the configuration one spiral. Beneath it two spirals; one winding up and the other winding down. On a Hegelian theological note. God the Father and God the Holy Spirit proceed from God the Son. “In the beginning was the Word, and the Word was with God, and the Word was God.” John 1:1.
Here we might locate the Traumatic Temporality of Christianity. The introduction of History. Time as Chronos. With God the Son. Without the historical personage of Jesus Christ, there wouldn’t be a Trinitarian Unity and Division. From God the Son proceeds God the Father and God the Holy Spirit. In this wound we are brought to an awareness of another Time. A Timeless-Time or a Time sans History. “In the Beginning was the Word, and the Word was with God, and the Word was God,” a time in which God the Father, God the Son, God the Holy Spirit had always been. The Triune God. Whether or not, in this Aionic Time, God the Holy Spirit proceeds from God the Father or from God the Father and God the Son, is the division between East and West.
This Times overlap and nowhere is this more evident than in the anachronisms or perhaps more accurately, the Archeo-modernity, of the romantic painting. Or perhaps further still, in the Ethiopian depiction of Christ, in the Korean depiction of Christ, and in the Italian depiction of Christ. Black Jesus, Asian Jesus, and European Jesus.
As that obscure note by Nietzsche produced by Gilles Deleuze in his work Nietzsche and Philosophy goes, “Universal chaos which excluded all purposeful activity does not contradict the idea of the cycle; for this idea is only an irrational necessity.” Here we see Nietzsche approaching something akin to the Infinite Dialectic realized and developed in Mao Zedong’s contributions to Dialectical and Historical Materialism. As Mao writes in On Contradiction, “The universality or absoluteness of contradiction has a twofold meaning. One is that contradiction exists in the process of development of all things, and the other is that in the process of development of each thing a movement of opposites exists from beginning to end.”
The stylish and inspirited Vitalism of Nietzsche’s ruminations is Pneumatic. Being Pneumatic it is Phantasmic. Here we locate the Girardian critique of Nietzsche. As Nietzsche proclaims in Ecce Homo that everything his was praising Wagner for is in fact praise he was unconsciously directing at himself, at his values or innate dignities, the obverse is true. For Nietzsche every great philosophical work is a confessional, an involuntary and unconscious autobiography. He invents the Overman and by extension the Last Man. Will to Power and Ressentiment. One cannot exist without the other and in Nietzsche they collapse into a singularity (a point worth keeping in mind when we eventually venture into Deleuze and his Anti-Hegelianism). The Last Philosopher. In sum Girard’s contention is that in the production of these Phantasmata, Nietzsche ends up offering to his audience another Scapegoat. The Man of Ressentiment and the Slave Morality. Obviously within Nietzsche the potential for this is treated triumphantly. Nietzsche refuses to have his Poetic Revelry stifled by timorous considerations. That stupid people might read his works and take it as an excuse to persecute Christians or to locate the Man of Ressentiment in their political adversaries. That they might completely forget the contradictions inherent to the very office of “Tragic Philosopher” and how the Vagabond and the Prophet are a singular figure, hybrid and lovelorn and glorious. “If I had power I’d know how to immediately and brutally exercise it.” None of this concerns Nietzsche. People will misinterpret you regardless. Still the points are well worth reflecting on and prove stimulating as we move from the Symbolic-Classical to the Classical-Romantic.
submitted by MirkWorks to u/MirkWorks [link] [comments]


2023.04.01 11:12 ShadowDragon8685 [Ace is the Only Sane Pirate 17]Breaking Out like a Rolling Stone.

"About time!" Lu t'Cca thundered at her. "Split find hiding spot!
Najia backpedaled, giving the irate Split prisoner plenty of room to get past without coming into arms' length of her. At least he seemed to get that this was a prison break, and he made no move for her or her firearm, darting well clear of her, and out from the cell block.
Axiom's voice cut the sudden quiet that was otherwise punctuated only by her racing heart. "While you two were chatting, I've found a way to temporarily disable security in the hangar. That's where we'll hitch our ride. Head for the second level; the Ministry seems to have installed more switches. They'll require some adjustment, but I know you love a good puzzle." Najia snorted. She did, in fact, love a good puzzle, but breaking out of a prison was not the time to indulge in that. Usually. Unless one looked at the prison as the puzzle. She shook her head, huffing, and drew her pistol again. There was no marked pathway this time, but she made better time; it was reckless, but she jogged, since the place was seemingly totally unguarded. And, if it wasn't, chances were that Lucca would run into the guards first, and she'd hear the struggle ahead. She passed the lift, glancing towards it, and hurrying past in the other direction she hadn't been yet, coming to a door. Slowing, she closed enough with it that it opened automatically.
Najia let out a huff; Lu t'Cca was on the other side, but so was Axiom. She stepped forward, and looked from Axiom, who nodded to her, to Lucca, who snarled. "Creature reveal Split hiding spot! Creature nothing better to do?" This is a hiding spot? Najia shook her head; the two of them were literally standing in the middle of an intersection, in front of an airlock with two branches off on either side. She huffed, looking at Lu t'Cca. "Hey, Mellerd said -"
"Split not talk about friend-foes!" Lucca ranted. "Kriss went against family! Betrayal followed petty betrayal! Way of Windfall, yes. Way of some Split, maybe, but not how real warriors do revenge!" He made a guttural sound of anguish, shaking his head vehemently. Kris? He was on a first-name basis with her? The fact that Ace had spoken so frankly of xenosexual encounters popped into her head, the constant talk of betrayal, pettiness, personal matters, and suddenly it was obvious; somehow, this was personal. Personal; and none of her damn business. She held her hand up placatingly, holstering her other pistol, trusting to Axiom's physical presence to keep peace between her and Lucca. "Fine. I'll leave you to it," she said. "Split thought so," Lu t'Cca spat, looking back to Axiom. She looked to Axiom as well. "Switches, Wildcard. Get to it."
Najia nodded, and darted down the left-hand branch of the intersection, fuming all the while. It ran into a dead-end, and she uttered "ah fuck," turning and sprinting in the other direction, slaloming between Maestro and Lucca. At the end, she dead-ended there, and exasperated raised her voice, "the hell?!" Back in the middle, she examined the airlock carefully; she could see that it connected to nothing, which is why she discounted it previously. Carefully she moved into the airlock, her hand on her pistol just in case Lucca tried to kill her by cycling it, but he and Axiom seemed to be in the process of discussing old times.
Exasperated, Najia stepped back out of the airlock. "Axiom, where are these buttons you're talking about? How are we supposed to get out of here?" "Er..." Axiom blinked, tri-ocularly, at her, and looked around. He looked at his datapad. "They should be... Through..." He let out a discontent rumble. "Oh my. That is not obvious on a computer systems diagram schematic." "They're on the other side of the frigging airlock," Najia said. "You're probably already aware that humans can't survive in vacuum, let alone maneuver in it, right?" She snorted, her sarcasm at least getting a sheepish shuffle on his long legs out of Axiom. "Can we get out the way we came back in? Even if it means abandoning the Raven?"
"No," Axiom said gravely. "The tampering I did to activate the cell block doors will be caught by someone sooner or later - probably later than sooner, but sooner if we try to leave the cell block." "Split has been implanted with a tracking device," Lucca growled. "It will raise quite the ruckus when Split leave the cell block!" "If we're leaving by... Unconventional mechanisms, that will be no trouble," Axiom noted. "But if we enter the lift, it will lock down and security will be summoned immediately."
"Outstanding," Najia huffed. "Let me double-check something, see if I can think of something." She turned and left the way she had come from. She bypassed the lift; she had no intention of simply bailing on them. But now, she had two options. Neither was good, but one was significantly less good, so she hoped the other option worked. She opened a channel to Boso Ta. "Boso Ta, I hope to hell you've been listening in." "I have, Assistant!" Boso Ta's voice came through loud and clear. "You are in quite the conundrum. I hope you see a manner in which I may be able to extricate you, for I do not." "You and the Professor have been upgrading teleporters with the ability to upgrade themselves. To do so, you've been transporting equipment, right?" "Hai!" Professor Nakagawa's voice cut in. Clearly he was on the line. "This capability is within our grasp. What is your proposal, Takio-San?" "Can you teleport my EV suit to me?"
There was silence for a long few moments which felt like an eternity. "Potentially," Boso Ta broke the silence. "Have it placed in one of our lifts." "I'll get right on that," Marta cut in on the line. Najia smiled to hear her voice. "Any other requirements?" "If this will work, we will need very precise measurements," Professor Nakagawa said. "The teleporter is more your project than mine, Boso Ta. My thought is that it will require at least three triangulating vessels, and a beacon, and a substantial amount of open space." "Will an empty cell block do for that," Najia asked, hustling down the corridor. "It should yes... Yes! That will work." Rei Stringer cut in on the call, and Najia blinked as she saw Rei's comm-code. "I can arrange the fly-by," she said. It had been awhile since Najia had heard from the friend she had left in charge of the Eighteen Billion Terran-tech construction supplies factory, and generally, in charge of Eighteen Billion affairs. "There's a patrol of Katana in the area already, it won't look suspicious if they do a swing-by of Wormwood Scrubs."
Najia set her datapad down on the floor in the middle of the cell block. "I put my datapad down on the floor. Is that beacon enough," she asked. "Hai, Takio-San," the aged professor's voice informed her. "But I would endeavor to be in another room when the teleport takes place. This is... Highly experimental." "Vacating the room," Najia said, sprinting out into the hallway and down it. "Tell me when it's gonna happen."
"In... About twenty seconds," Boso Ta informed her. "You might want to cover your ears, assistant." Najia didn't even bother to complain about being called 'Assistant' again, she simply crouched and closed her eyes, covering her ears and tried to become one with the railing. She counted to thirty, then opened her eyes. "Did anything happen?" "Your EV suit and EMU aren't in the lift anymore," Marta said to her. "Better go check."
Najia did, and she laughed heartily. Her hardshell carapace EV suit and EMU were sitting on the floor of the cell block. "A perfect teleport! I didn't even hear anything." "Fantastic," Boso Ta said. "You had best hurry, Assistant."
One fast donning later, Najia opened the door to where Axiom and Lucca were still standing around, chatting like old gossips. They both started when they saw her, and she held her hand up. "Easy, guys, it's me." She was hauling her EMU with her. "Split wonders where creature was hiding that," Lu t'Cca said, pointing at her. "Ancient secrets," Najia flippantly answered, as she hefted her EMU into the airlock, and sat in it, strapping in. "Right, let's do this." Reaching up, Najia slapped the airlock cycle button. The door behind her hissed shut; air was evacuated. Her suit indicated a total drop of external pressure, and the airlock's A-grav let go, letting her float free, and so she pushed off the floor.
"Excellent!" Axiom crowed at her, over the comm. "Level 2 is right through there. That exhaust fan may impede your movements, but it won't make our mission impossible. See those alcoves? There's where I'd hide if I were you, whenever the fan is blowing at full speed."
Exhaust fan? I'm in vacuum! Najia carefully maneuvered out. She was in vacuum and microgravity; but she was also inside a large, cylindrical space. Below her was something like a massive fuse-box with a big holographic turret outline, and she jetted down to examine it, but could see no obvious way to tamper with it without most likely setting off major alarms, so she looked back up - just as a synthesized alert klaxxon sounded.
I hate this place, Naija thought, as she saw a fan at the top of the cylinder spin up. At a guess she thought, perhaps it was something like an exhaust, which struck as horrifically wasteful in space, but she could only grit her teeth, watching it spin. At the bottom of the cylindrical space, she only felt the slightest of buffeting; it might have been substantially stronger closer to the top. I am very confused, very frustrated, and I just want to get the hell out of here, she thought. She was seriously considering revisiting her first plan, which had been to simply teleport herself, Axiom and Lucca to Ace's ship.
But now, though, she was pissed, and she wanted to poke something spiteful in Mellerd's eye herself. So she jetted to the top of the cylinder, looking around. As she did, Axiom popped up in her comms. "These airlocks are shut, so you'll need to find a way to bypass their locks." She responded with only a quick "roger," looking around. One airlock, contrary to Axiom's words, was hanging open, but the lights next to it were red. She tried it anyway; but for once, Axiom was spot-on. The airlock door might have been open, but its functions were locked out, the panel totally nonresponsive. She returned below, and looked around; there was an open airlock opposite Axiom and Lucca, so she tried it, and it worked for her automatically.
"Well, let's see what's down this way," Najia muttered to herself, slipping out of her EMU and leaving it in the lock. She unholstered the pistol that was now clamped to her hardshell-clad thigh, and started to look around again.
To her surprise, she found only another cell block - it was a dead end! She was about to hiss in frustration, when she heard someone call to her. "You there! You! Hey! You are not supposed to be here!" Najia turned to face the Teladi voice, her pistol half-raised, when she saw that the figure in question was imprisoned. She lowered her aim to the floor, and appraoched the bars. Standing within was a Teladi, who looked rather forelorn. Najia's shoulders slumped. Well, this is awkward, she thought. When the Teladi seemed to realize she wasn't a guard, she started to ask, "Oh please, please, please! You cannot leave me here! I am friends with Urgu... Ugusa... I can help you make profitsss! I promise."
Najia sighed at the pathetic display, but she understood the Teladi's desire for freedom; though, on the balance, she also had no idea what this Teladi had done to become imprisoned. Knowing Kriss Mellerd, it was a total crap-shoot; she might be a real scum-bag, or she might be being shaken down. Axiom cut in on her. "I sympathize with the little lizard, really I do, but we cannot compromise this mission in the name of charity."
Najia huffed out a sigh, and looked around. Frustratedly, she slapped the door panel on the imprisoned Teladi's cell, and to her surprise - and the prisoner's surprise - it opened. The prisoner looked around, confusedly, and Najia was glad that her mirrored helmet hid her gaze. "That's the best I can do," she said, resignedly. "You'll have to effect your own escape from here, if you can. Good luck." Turning, she huffed back into the airlock, slapping the button to cycle it as the Teladi prisoner looked around in tentative confusion, taking a few steps out of her cell.
Najia pulled her EMU's straps back on. "Well, that was a fucking bust," she snarled. "I'm about to start lasering shit," she muttered, floating back into the massive vacuum cylinder, and back up towards the locked airlocks. She found a third floor of airlocks, but they only offered some shelter from the fans starting up. After waiting that, frustratedly she flew back out again, and started looking around. "Axiom, there aren't any switches here!" "My diagrams say there are switches, Wildcard. Look more carefully - and swiftly."
Najia let out a guttural growl of frustration, and switched to her cutting laser. Giving in to a pique of frustration, she hit her Mk.2 thrusters, blowing past level 1 to the sub-level, coming up level with the big fuse-box. "Right, let's see what this does," she said with a snarl, and targeted her suit's cutting laser on the big set of what looked like fuses.
She blazed a neat line down the middle of them, and, gratifyingly, the 'Turrets' hologram switched to a big red repair icon... She looked around for a moment. Nothing happened. Najia smirked. "On the one hand, this place is frustrating, confusing, and I kind of want to blow it up out of spite by now. But on the other hand, the gross criminal negligence on display is really working in my favor. Fuck it. Lasers for everything," she said, snarling and going back up the shaft. There were a bunch of unmarked panels, and, giving in to the frustration she felt earlier - which she had barely restrained herself from allowing herself to hold Lu t'Cca at gunpoint - she started lasering the panels like a schoolgirl hooligan on a vandalism spree.
"Your new laser is low-powered, but if you keep it aimed at the lock, it will break eventually," Axiom said. Najia blinked. New laser? This is my laser and I've had it for a while, and... Oh, piss on this! She laughed, however, as she saw that one of the panels had indeed fractured.
One deeply-cathatic vandalism spree later, every panel had been opened, and had revealed that inside the two panels nearest the top-level airlocks were two further, smaller panels, with similar mechanisms. With the fan starting up again, Najia took shelter in one of the alcoves at the top, just under an airlock, and, deciding to use her time productively, she lasered the opposite airlock's control panel. After holding her laser on the box for awhile, it was a glowing ruin, and Axiom commed her. "Partial access to level two established," he informed her.
Najia nodded. She didn't even bother to sarcastically snark at him, though the phrase no shit, Sherlock ran through her mind. Rather, she charitably assumed he was reporting to her something he was learning electronically, and turned around. This is gonna be bright, she thought, as she trained her laser at close range on the near access box, and closed her eyes. She held in the firing stud, and held it - counting in her head to seven, when Axiom's comm made her let up off the laser. "And just like that, we have free reign over level two! They can't stop you now!"
Najia grinned, and opened her eyes to behold a molten, glowing hole drilled into the electronics she had blasted. "Right. Let's get this show on the highway."
On the level above her, in the half just above, she slipped in, and found herself facing a door to another cell block, just through the airlock. She went in and looked; no prisoners. Walking out, she huffed, and decided to walk the half-circuit around the big cylinder again. To her surprise, she found a console, just attached haphazardly to a railing. Really? Najia examined it, and snorted; it looked shoddy, ad-hoc. She tapped the console's screen, and it simply changed color. Axiom piped up. "Magnificent! That'll give you access to half of the switches! There must be another console nearby that will let you remove the second cover."
"Got it. Moving on," Najia said. Back to the airlock she went, after checking the other half of the crescent hallway she was in; without any luck, she just floated across to the other airlock on her EMU. Predictably, she found that, on the opposite railing in the other half of the level, was another console haphazardly attached to a railing, and she rapped it quite firmly with her knuckles. It flashed. "How's that, Axiom?" "Both covers confirmed open," Axiom informed her. "Let's flip some switches. Get back into your spacesuit."
"Never got out of it. Who has time to undress four times? Anyway, switches, yaaay switches," she snarked, as she cycled the airlock again, strapping her EMU back on. "Whoever designed this place is both a madman and criminally negligent."
Once the airlock cycled through again, Najia saw that the two panels she had manipulated had caused five boxes that she had previously taken as unimportant junction boxes to slide their panels open. She groaned to herself when she saw that there were five more lock-like switches within. "Great, time for more vandalism, yay." She lasered the first of the boxes' interiors, the one that was lit, and held it for a long few moments.
"Something's not right," Axiom said, comming her. She had a sinking feeling. "The switches are also setting the state of their neighbors," he declared. Sure enough, she had blasted the leftmost switch, and the second had lit up. Worryingly, the leftmost switch did not look damaged in the slightest. "You'll have to find a combination which turns them all off," Axiom said, as Najia groaned. "I don't think a game of whack-a-mole will get you there," Axiom continued. "Though... Actually, it might!"
Najia groaned, and briefly considered calling for a five-hundred-some member boarding party attack from two capital ships instead. "What tail-hole thought this was a good idea," she bitched. "Who dreamed this up? Why install it like this? Don't anybody answer that, those questions were rhetorical," she snarked, as she set about the process of shooting the junction boxes like they were a juvenile 'turn them all off' game.
About eighty seconds and the false start of thinking she could shoot an inactive switch to switch it on and switch its neighbors states (it transpired that she could only make an active switch toggle neighbors' states), all five boxes were dark, and Najia snarled, bristling with outrage that this was evidently considered part of a high security system and not a child's game.
"You got it, Wildcard!" Axiom commed her. "Access to Level 3 established. And it turned off the darned fan! Off to the hangar, then." Up one level, Najia cycled herself into the airlock, and groaned. She was getting mightily tired of this, and she rolled her shoulders. "I am going to need a massage and to soak for an hour in the shower," she griped to no-one in particular. She hefted her EMU half-over her left shoulder, unholstering her pistol, just in case. The EMU was very heavy, but her EV suit had a fairly substantial low-profile power assist mechanism. Not enough to turn her into a super-soldier by any means, but enough to let her heft a 150kg load like a bulky and cumbersome backpack. She was tempted to leave it behind... But it was a good thing she didn't. The corridor she found was only a straight shot to - and she groaned - another airlock. As she approached it, Axiom unhelpfully congratulated her. "Excellent," he said. "Yo're approaching the internal hangar now. Our getaway ship is right over there." Cycling through, she passed into the deep well of an internal ship hangar - and groaned.
Najia was looking at a Magpie. That was the big, innovative, unique ship?
"If we want to make it out of here, you'll have to destroy the clamps on the hangar doors," Axiom informed her. Najia groaned, sighed, and rolled her shoulders. "Right. I can do that. All this for a..." She seethed, and looked back at the ship.
No, it wasn't a Magpie, but it sure as hell looked like one. It was clearly a derivative design, but it had not the Magpie's massive cargo pods; rather, it had smaller pods, and a lot more gubbins - antennae, dishes, and the like. Fan-dabbie-dozie she thought balefully to herself as she set about finding and destroying the lockdown clamps. As she did so, she also saw a couple more panels that had a turret hologram over them, and, thinking, why the hell not, fried them, too. Moments later, the lockdown clamps fell, too, and she saw a red light glare through one of the hangar windows.
Axiom piped up, "Holy triangle, that's the station alarm! Lucca and I are going to make a run for the ship!" She blinked, looking up - two EVA-suited figures, with full EMUs, cycled through the airlock she had come through.
What, she thought. Where... I... What... Where...? In a moment of dumbfounded confusion, she stared openly, unmoving, before both of them dipped between the ship's large thrusters, and headed for its belly, while Axiom said, "approaching the dock. Be with you in a moment!" Fearing being left behind, Najia abandoned the question of where they had gotten EV suits, let alone EMUs, in favor of making haste to join them.
As Najia negotiated into the airlock, Axiom and Lucca reported that they had boarded, and Axiom was working on powering up the ship's systems, and Axiom was transferring the ship's ownership - and hence, control - to her. They were trying to talk over one another, making it confusing, but, as she got into the ship and shed her MMU, running for the seat, Axiom noted, "This prototype ship does not appear to have an emergency eject system. I assume it was supposed to be added later." "Great," she snarled. "This is going tits-up and I'm in a little ship with no ejection system." "Split been moving into position," Maestro informed her, in a bit of good news. "Alarm must have mobilized more Ministry forces than Split anticipated."
"Thrice blasted!" Axiom roared from the back. "Mellerd deployed a capital ship to head off the Arcadian Endeavour!" Najia groaned, checking her map. A Pheonix-class vessel named Rolling Rock was engaging the Arcadian Endeavor.
As Najia got the Raven's struts up and pushed it forward, she got a comm from the Rolling Rock itself. She snarled as she saw Kriss Mellerd in her comm pane. "Thank you for leading the old man, and his crew of clowns, right to my doorstep. Crossing them off the Ministry's list will do wonders for my career advancement."
Najia gawped at her, in shock at the sheer gall on display, as Mellerd laughed. "You just stumbled into this whole affair, so I will offer you a one-time chance to get out of this. All you have to do is dock at my ship and hand over the pirates youy are currently harboring. You won't be able to keep the ship, but -"
Najia cut her off, snarling in anger. "You just love the sound of your own voice, bitch. Even if I was inclined to take an 'out,' though, nobody can trust you. For anything." Najia switched the comms to her ships, as she powered the Raven up to full. It seemed to be armed with two cannons; she test-fired them by holding in the trigger. They didn't fire immediately, but when she let go, they let fly. "Woah. These must be those Teladi charger things," she muttered. "Whatever. Ladies? This bitch cannot be trusted to keep her word. End her rightly!"
The Rolling Rock was already exchanging fire with Arcadian Endeavor, while Ace nipped at her heels, firing off shots from that launcher and the frontal cannon. Shiv and Kunai - the name chosen for the Paramerion - lifted from the Jackdaw and Arcadian Endeavour respectively, while Jackdaw and the Snapping Tortoise broke from formation with it to engage.
"L beam turrets... Problematic," Najia muttered to herself. "Let me see what I can do about that," she added, as she set the Raven prototype in motion. She could only hope, at least, that Kriss was at least rethinking her decision, now that the odds had tilted decidedly against her.
She dove into action against Rolling Rock, testing out the Muon Chargers, as the ships with her split and attacked. The destroyer was big, and problematic, but it seemed rather... Awkward to control, in fact. Ponderous, its turrets, even the lasers, seemed slow to respond. She nipped around it, firing a few times, as her four ships slipped past it. A plasma bolt struck her shields, and she yelped, diving to evade. "That's it," she heard Rei - not over the open comms, but in her earbud. "I am not letting you get your ass killed like this. I'm dispatching help," she said, and Najia winced.
Great. So this is how the war with the Ministry starts? And yet, oddly... There was no sign of Ministry reinforcements. Najia fled from the immediate vicinity to recharge her shields, coming in close to the Arcadian Endeavour, and watched as the Eighteen Billion Katana squads roared in. She winced as she saw that Okayama and her defense fleet had also been dispatched - a Destroyer squadron was going to bear down on Rolling Rock... Eventually. And yet, the Ministry was doing nothing.
It hit her suddenly; Kriss was rogue. Was doing this on her own. She snarled and grinned. The Ministry might be mad, when this shook out, but they'd have a hard time proving her involvement. Especially if she could play it as her ships responding to a distress call because a rogue vessel with an unaffiliated transponder had attacked a ship. It was flimsy... But it was enough. "Bear down on her, ladies. Tear that thing apart." Najia crowed, as she pulled the Raven in to touch down on the Arcadian Endeavour's landing pad. She looked back. "Axiom, they're gonna need you in the engine room. Lucca, you're not gonna wanna be on this ship!" The back ramp was dropping as she settled down; neither waited for her to have landed fully, they dropped from the ship and sprinted past, to the lift.
"So, you've decided to go down with the sinking ship? One less loose end for me to tie up later!" Mellerd crowed at her, and Najia smirked; of course she knew she couldn't trust Mellerd. "You're worse than a pirate, Kriss. Nobody can trust you," Najia said. "Prepare to kiss your ass goodbye."
Maestro was rattling on in her ear, but Najia could barely hear him over the combat calls. She hoped he was smart enough not to fire upon the T.E. vessels responding - it would be awkward later, and they were joining the fight on his side, after all. He was saying something about escape, and turrets. Najia snorted. "Actually, we're just going to blow this thing up," Najia declared. "We can't leave someone like Kriss Mellerd at our backs."
Things seemed to be doing well at first; the Rolling Rock was handling clumsily, awkwardly, as if she was critically undermanned. That gave Najia an odd hope that she might actually succeed at boarding her; the responding vessels were quickly tearing down her turrets and shields.
Then, everything went dramatically pear-shaped. Najia yelped as lasers tickled the the Raven's shields down and she got them back up again; again and again this happened, each time the hull started to fracture more and more. She made attack runs, damaged a surface element, and then things got worse. Where were those lasers coming from?
"Missile. Incoming missile." She slapped the countermeasures button, only to see the screen flash ammo empty. "Fuck!" A missile slammed into her, followed by a fly-by from a starfighter. She didn't catch it, but she took a pot-shot at it as it went past. Things were going from bad, to worse, when she heard someone howl, "Jackdaw's taking heavy fire! Jackdaw's... Oh fuck!"
Najia felt a moment of total disassociation. Numbly, her hand drifted over the stick, trying to maneuver the clunky ship like a starfighter, whilst fighting through mental fog.
Marta.
"We've got them!" Rei stringer called out, over her line. "I've got the crew of Jackdaw at the depot, but now we're under attack by a Ministry warship!" Najia gasped, shoving her stick forward, hard. Her ship was flying apart around her, and she snarled. "Someone get these motherfuckers!" "We're coming in," she heard - both the first, and last, person she wanted to hear. "Fenrir, engaging!" "Okayama, engaging." "Kagawa, engaging!" "Ark Royal, moving to engage!"
Najia laughed, incredulously. That was four fleets. Four fleets that most definitely were not supposed to be engaging to support the Arcadian Endeavour. One of them the Teladi wasn't even supposed to know about - Alarms blared. The Raven had taken a nasty hit, and a Ministry Kea was lining up on her six. She tried to pull away - she wasn't going to be fast enough - the ship jerked - the world went white.
Najia crashed forward to the deck, yelping, arms up to guard her head. She looked up; a Marine was standing next to her, offering her hand to Najia. "Better get to the skipper, ma'am," the Marina said. "We're Koshirae." Najia laughed, taking the proffered hand and climbing to her feet, hustling down to the bridge's main deck. Selaia Kevlin was standing in the middle like the Maestro, calmingly barking out orders with command presence. She looked up at Najia, briefly, smirking at her. "Does the owner have the conn?"
Najia shook her head, laughing. "Fight the ship, captain. I've got to coordinate this clusterfuck." Selaia laughed at her and nodded, barking out, "bring us up ninety, show her our broadside. Turret gunners, you are cleared to engage."
She hustled down to the fleet coordination console; the crewwoman at it hopping away for her. "This is Takio," she said, hopping on the controls. "Ladies, clear my skies of red. I don't know what the hell has gotten into the Ministry, attacking our stations like this, but if it's hostile out there, we kill it."
Rolling Rock was not having a good day, and it was getting exponentially worse. Her engines had been disabled, and Najia heard Maestro call out over the pirate channel, "Her engines are disabled. Now is the time to get away! But, where is Wildcard?" Najia winced. How was she going to explain that? Did she even want to? "This is Snapping Tortoise," Raleen, the captain of her pirate Baku called out. "We are picking up the crew of Jackdaw and Raven. Let these big bruisers fight, we'll get back to you."
"No!" Kriss Mellerd called out, yelping. "I don't wanna die!" Rolling Rock was coming apart under the growing tide of fire it was enduring, and more ships were still arriving. Najia snarled. Part of her wanted to bid Kriss a bon voyage to the afterlife, but she looked up to Selaia. "If anyone gets out of that ship, I want them. And we don't tell the Ministry."
"Roger that," Selaia said, and barked out orders to the helm to move closer to Rolling Rock. Najia looked back - a Ministry Razorbill was thoroughly engaged, and another had just blown up, attacking the construction depot.
She gritted her teeth, snorting hard. There was going to be hell to pay for this later. Righteous indigation - no, fury - was going to be the order of the day. Her ships had responded to a distress call from a Windfall trader, by an unidentified vessel. It was attacking relentlessly, wasn't on-record as being anything official. Then Ministry vessels, apparently heeding the aggressor's pleas, had jumped in, attacking Takio Enterprises assets, and the inevitable happen.
That was the tack she was going to have to take, and she clenched her fist. Outside, Rolling Rock came apart in a dazzling blossom of red that polarized the bridge windows for a long several moments. When they cleared, the ship was a debris field. Part of her hoped that Mellerd was dead; part of her hoped she wasn't. There was going to be a butcher's bill for today, and she tried - probably vainly - to make peace with that.
"Get us close enough to the Ministry Wharf to make contact," Najia said, looking to Selaia. "I've some barking to do." Selaia smirked at her. "After this? They should know damn well your bark isn't nearly as bad as your bite. They should be happy to get barked at. You should put on a respectable jacket at least." Najia let out a huff of exasperation, hurrying to do just that.
Najia needed to work to summon the righteous indignation she required for the bluff, but she reminded herself of the fate of Ace's mother to do so; the Ministry were assholes, even if they were also the lawful authority; and they had attacked her. She had clear and convincing evidence that Mellerd was up to no damn good. Not that she waas going to reveal it to anyone.
Hence, she found herself with eyes coldly blazing over the comms to the Ministry Police Kea craft which had departed from the wharf to intercept Koshirae. "Enough is enough," she snarled over the holo, standing in the conference room. "My ships responded to an attack upon a free trader from a destroyer that was not transmitting appropriate Ministry codes - not that the Ministry should be allowed to attack random traders, either."
"Your ships fired upon Ministry vessels," the captain of the Kea shot back, clearly outraged - but also, like the pilot who had followed her through the rift - terrified at being massively outnumbered and outgunned.
"Let me be clear, on the record, so there is no ambiguity," Najia said, leaning forward, placing her fist on the table. The effect was to lean closer to the hologram - and on the little attack ship's screen, her face would loom larger. "My ships responded to a distress call from a ship being attacked by an unknown vessel not transmitting appropriate ID. The Ministry, for whatever reasons, chose to respond to the event by siding with the aggressor and attacking my ships. Takio Enterprises warships responded by destroying the Ministry vessels." Her heart was thumping in her chest, but she narrowed her eyes. "If this is the gratitude of the Ministry of Finance, for all that Takio Enterprises has done here in Eighteen Billion, in Grand Exchange and at large, for the Ministry and the company, up to and including constructing facilities and securing neutral diplomats to mediate the dispute between the Company and the Ministry... Well, you might want to check with your superiors before you write a check they have to make good on. To be absolutely clear, this is a threat; you are the highest-ranking Ministry combat officer in Eighteen Billion. It is your decision whether this conflict continues or ceases, here and now. Ah - ah! Shut your fucking muzzle and listen to me carefully," she snapped, as the pilot opened her muzzle to retort.
"If you say anything but words to the effect of 'this was a horrible misunderstanding and we should deescalate the situation' - if you, personally, choose to escalate the situation, the first step I will take will be ordering all of my shipyards to stop producing vessels for the Ministry. The second step will be that I shall cripple the Ministry's ability to replace vessels by destroying the Ministry Shipyard and Wharf here in Eighteen Billion. I shall then proceed onward to prosecute this destructive and pointless war - a war chosen by you, pilot, here and now - by destroying each and every Ministry of Trade station I can find, until someone with some competent authority asks me to please stop doing that. You can see the weight of tonnage I have here, you know the Ministry does not have the tonnage to stop me. The choice is in your claws, pilot; war, or peace. War, or peace. Escalate, or deescalate. Your call."
The Kea pilot visibly shrank backwards in her command chair, obviously struggling to attempt to retain composure and command respect in the face of an overt and direct threat to bring fire and flame directly to the Ministry of Finance. Finally she steeled herself, straightening up in her chair. "This has obviously been a dreadful misunderstanding, miss Takio. The Ministry is undoubtedly going to demand reparations for our lost warships, but such matters are the purview of the financiers, not myself. If you will cease giving offense, we too shall cease attacks upon your vessels."
"Thank you," Najia said, leaning back. She fought not to visibly slump and sigh in relief, or to show how badly her heart was racing. "As for the reparations, they can take that up with the diplomat I have on payroll. Out." She cut the channel, and collapsed back into the chair behind her.
A moment later, the comm lit up again, and she flicked it on. It was a huge conference call, with the commanders of her fleets, the captain of Koshirae, Marta on the Snapping Tortoise with a small bandage on her forehead; Rei Stringer on the 18B construction depot, Tsukiko Peterson back at the headquarters, Professors Nakagawa and Okoye - whom Najia realized with a pang of guilt she hadn't yet formally re-introduced herself to -, Boso Ta,, and Ace. Najia let out a heavy sigh of relief. "Please for the love of god tell me we didn't lose anybody," she said, first off.
"Nobody from Jackdaw, Marta confirmed. "I took a headcount. We got lucky. "That seems to be a recurring theme," added Captain - probably should be Commodore - Xiaowen Kapoor - one of Najia's older friends, and currently the commander of T.E.S. Fenrir. "It helps that we responded with overwhelming firepower. My fleet is reporting no fatalties; thirteen casualties, mostly caused by haste in the heat of battle."
That proved to be the recurring theme; all of her responders reported sustaining injuries, mostly 'workplace accidents' incurred whilst in the heat of battle, but though some were serious, none were life-threatening.
"Najia Takio," Professor Yoriko Okoye - an aged-but-not-venerable, steel-haired professor-turned diplomat said, with the same tone of voice that she had used when reproaching Najia in class. "You are now, as ever you were, charmed, lucky, and reckless. You choose to act with passion first and foremost. This is a fine mess that I'm going to have to clean up, you understand. Can I expect this sort of thing to deal with in the future?"
Najia took in a breath, glancing around at her fellows. Barring a few, they were all young - Tsukiko was the third-oldest and Najia knew she was closer to thirty-five than forty - barely. Most of them looked grave, but not mutinious. She sighed, and smiled, wryly. "While I don't plan to go to war with the Ministry, there may be future... Rough spots to smooth over, yes. If you'd like to resign and go home -" "Not yet," the aged professor said, sharply. "But for dealing with this, I am going to require a pay rise!"
A chorus of chuckles surrounded her, and Najia sighed, face-palming and smiling. "That's fair, professor. We're going to have a fine time untangling this. Ace, how are the Curs?"
Ace looked into her eyes, then looked away for a moment, then back to her. "Secure in Windfall, awaiting your hopefully-safe return." She trilled, and Najia nodded. "Next stop, then."
submitted by ShadowDragon8685 to X4Foundations [link] [comments]


2023.04.01 11:09 draemaek Related Subreddits

Someone accused me of rage quitting reddit, which I'm not. However it did get me thinking on why I couldn't find any subreddits that I consider worth keeping in touch with. Yeah I admitted already that I lack the discipline to simply "keep an account" and not use it except for when I need it. It's a little too easy to write and post things without thinking twice.
So I thought I'd ask the community for any suggestions to similar or related subreddits. But first I have to make a disclaimer:
Please don't be offended and please don't take it personally, since I am not "dropping hints" about your belief systems or preferred methods or practices by saying this, but these "related subreddits" and "subreddits of interest" in the sidebar are not ones I am interested in:
Related Subreddits
So in a summary, even thought Awakened is mainly focused on that which is beyond schools of thought and beliefs systems, or tries to be, the related subreddits are deeply focused on a narrow band of "diversity" (diversity only under certain constraints of hinduism and buddhism, mainly). It's fine, since you can make a subreddit out of anything you like.
It's fine since you can make a subreddit out of anything you like. Yes I repeated that line so people stop trying to psychic attack me just because they don't understand where I'm coming from.
Yes it is fine. It's just not going to be worth anything to me, and this subreddit is the only one I have been able to find which had some value. So you see my dilemma? this is why I would delete my account , but if you can find some new suggestions I could try out other subreddits, I would be interested in those similar to what Awakened tries to be: about direct experience, discovering for ourselves, that which is beyond words or belief systems.
For further reference, here is the list for Subreddits of Interest:


So as you can see, the explicit topics that are chosen as related or "of interest" to the subreddit are either too general in terms of their focus (relationships, spirituality, occult) or too specific to a niche that requires you to participate in the substance of it (psychonaut, soulnexus, conspiracy, paranormal). And of course, let's not forget hinduism and buddhism.
Once again, it's not that I am telling anyone to change their stuff - neither the subreddit nor the topics of interest or related topics, nor their spiritual methods or any of that stuff.
That's not my business and I don't really want to know more details, to be honest. I'm only saying,
I am not rage quitting reddit, okay? If you have a legitimate useful subreddit to suggest that isn't basically a watered-down version of this one, a super niche version of this one, a barely related by a tangent subreddit, or just another variation of hinduism and buddhism, well
well,
You have my attention. It would be nice if I could find such a subreddit but I have to say, my subreddit-finding skills are not that great. Please help me. Help help help.
submitted by draemaek to awakened [link] [comments]


2023.04.01 11:07 Philip19967 How One Canadian AI Company is Driving Digital Transformation in Retail

Vancouver-based Fobi AI is making it easy for operators to keep pace with consumer demands and future-proof their businesses through digital transformation.

Many retail and consumer packaged goods (CPG) businesses want to connect, enhance, and mobilize their existing, often antiquated, infrastructure through artificial intelligence (AI), automation, and analytics. But most of them don’t know where to start. With over five years as a market leader in automation and mobile wallet technology, Vancouver-based Fobi AI has the know-how and does all the heavy lifting so that companies can focus on what matters most: their business.

Smart data in motion

Fobi has proven experience globally and is working with Canadian companies to change the way they do business. With headquarters in five countries and international operations spanning over 150 nations, Fobi’s dynamic solutions are far-reaching, delivering real-time applications, data-driven insights, and personalized engagement across several global retail use cases, including digital loyalty and membership, coupons, digital ticketing, retail giveaways, and digital age and ID verification.
“Retailers don’t need more data—they need ways to unlock, leverage, and monetize their data,” says Rob Anson, CEO and Chairman at Fobi AI. “We can take an organization’s data, including its operations and customer interactions, ingest it, and with the click of a button, create value with all that data through AI.”
For most companies, data is cumbersome, expensive to manage, and often challenging to make sense of. Machine learning automates the manual steps that people would normally have to do to complete extensive data analysis to inform their business decisions. The secret sauce for Fobi is its powerful Fobi Data Exchange (FDX), a unified insights platform that automates the ingestion, aggregation, and monetization of point-of-sale data in real-time. These actionable insights help businesses make smarter, more optimized decisions and develop more targeted, personalized marketing campaigns.

AI for all

Complex data is connected and combined from multiple disparate sources, such as point-of-sale, online, offline, and third-party transaction systems, to which the Fobi Data Exchange can then provide real-time analytics and insights that unlock powerful retailer-to-customer interactions. Segmented on an overall business level or for each store, retailers can visualize these analytics in a customizable dashboard and subsequently build forecasting and predictive models through machine learning algorithms.
This transformational technology isn’t just for the e-commerce giants. Fobi is levelling the playing field by giving brick-and-mortar shops access to the same tools and competitive advantage. Businesses of all sizes can now use AI and automation to make data-driven decisions that deliver integrated, omnichannel shopping experiences for customers everywhere.
“People don’t fear AI for what it is. They’re often afraid of change,” says Anson. “But when businesses see what we can do and realize our solutions are plug-and-play, they can appreciate the value of AI and the results that it brings to the table.”

Driving decisions and revenue

Many companies, big and small, don’t know how to leverage their data. But businesses are realizing that by utilizing AI and leveraging it to their advantage, they can unlock even more opportunities to create added value with their data. Being able to effectively segment, action, and monetize data through the wallet pass means that retailers can now deliver personalized shopping experiences at the consumer level, ultimately leading to increased recency, frequency, and wallet share.
“Retailers can connect new promotions based on insights from past purchase behaviour, which is one of the most important indicators for retailers to predict and influence future customer behaviour,” says Anson. “This leads to more tailored and targeted loyalty and membership programs. And the same aggregated data and insights can be anonymized and resold to large third-party data aggregators which opens up a brand new revenue stream.”
Personalization and convenience are everything for consumers today, and this puts pressure on retailers to understand their customers’ wants and needs. But currently, there’s little awareness of the full customer journey—what customers bought in the past, how they redeem promotions, and how much they spend.
Anson uses a professional sports team as an example. What does the team know about a season ticket holder? Aside from their contact information, today, customer lifetime value (CLV) in the sports and entertainment industry is largely based on how long fans have had their tickets, how much they’ve spent for those seats, and the value of those seats over time. But what if the team actively had real-time insight into the person’s food and beverage preferences and spend, merchandise purchases, or how they travel to games?
Through AI and automation, Fobi delivers the interoperability to unify data across the team’s disparate systems, such as parking, tickets, merchandise, food and beverage, and more, to get a better understanding of fans at a transactional level. As a result, these insights can help businesses drive enhanced customer engagement by sending hyper-personalized offers and recommendations that are more likely to resonate and convert at the till. Personalization is also proven to drive increased visits, sales, and brand affinity with better targeted marketing campaigns and more cross-selling and up-selling opportunities.
below the link, the article continues
https://www.innovatingcanada.ca/diversity/growing-business/how-one-canadian-ai-company-is-driving-digital-transformation-in-retail/?utm_medium=email&_hsmi=251398566&_hsenc=p2ANqtz--0EHxAkONksFaKgjKedfy74oUpt88J6Z49Bu80dtWxkEj0bKNCb67kMb4nPHH38pgD_xZdMAMidKD-4J_G75sTdKI1bg&utm_content=251398566&utm_source=hs_email
submitted by Philip19967 to economy [link] [comments]


2023.04.01 11:04 PatrickIIDX Difference between different Ford Part Numbers.

So I work at a warehouse that distributes ford accessories like splash guards, weather mats, tonneau covers, etc and I noticed some splash guards with different numbers.

one example:
M2DZ 16A550 AA
I know 16A550 is the description number to describe it's a splash guard, the AA number describes that it's for the front, but I don't get the M2DZ.
There's also prefixes like M1PZ, ML3Z, and VM2DZ, VML3Z, FL3Z, etc. which I don't know what they mean.
Can anyone share this information please?
submitted by PatrickIIDX to Ford [link] [comments]


2023.04.01 10:51 Philip19967 How One Canadian AI Company is Driving Digital Transformation in Retail

Vancouver-based Fobi AI is making it easy for operators to keep pace with consumer demands and future-proof their businesses through digital transformation.

Many retail and consumer packaged goods (CPG) businesses want to connect, enhance, and mobilize their existing, often antiquated, infrastructure through artificial intelligence (AI), automation, and analytics. But most of them don’t know where to start. With over five years as a market leader in automation and mobile wallet technology, Vancouver-based Fobi AI has the know-how and does all the heavy lifting so that companies can focus on what matters most: their business.

Smart data in motion

Fobi has proven experience globally and is working with Canadian companies to change the way they do business. With headquarters in five countries and international operations spanning over 150 nations, Fobi’s dynamic solutions are far-reaching, delivering real-time applications, data-driven insights, and personalized engagement across several global retail use cases, including digital loyalty and membership, coupons, digital ticketing, retail giveaways, and digital age and ID verification.
“Retailers don’t need more data—they need ways to unlock, leverage, and monetize their data,” says Rob Anson, CEO and Chairman at Fobi AI. “We can take an organization’s data, including its operations and customer interactions, ingest it, and with the click of a button, create value with all that data through AI.”
For most companies, data is cumbersome, expensive to manage, and often challenging to make sense of. Machine learning automates the manual steps that people would normally have to do to complete extensive data analysis to inform their business decisions. The secret sauce for Fobi is its powerful Fobi Data Exchange (FDX), a unified insights platform that automates the ingestion, aggregation, and monetization of point-of-sale data in real-time. These actionable insights help businesses make smarter, more optimized decisions and develop more targeted, personalized marketing campaigns.

AI for all

Complex data is connected and combined from multiple disparate sources, such as point-of-sale, online, offline, and third-party transaction systems, to which the Fobi Data Exchange can then provide real-time analytics and insights that unlock powerful retailer-to-customer interactions. Segmented on an overall business level or for each store, retailers can visualize these analytics in a customizable dashboard and subsequently build forecasting and predictive models through machine learning algorithms.
This transformational technology isn’t just for the e-commerce giants. Fobi is levelling the playing field by giving brick-and-mortar shops access to the same tools and competitive advantage. Businesses of all sizes can now use AI and automation to make data-driven decisions that deliver integrated, omnichannel shopping experiences for customers everywhere.
“People don’t fear AI for what it is. They’re often afraid of change,” says Anson. “But when businesses see what we can do and realize our solutions are plug-and-play, they can appreciate the value of AI and the results that it brings to the table.”

Driving decisions and revenue

Many companies, big and small, don’t know how to leverage their data. But businesses are realizing that by utilizing AI and leveraging it to their advantage, they can unlock even more opportunities to create added value with their data. Being able to effectively segment, action, and monetize data through the wallet pass means that retailers can now deliver personalized shopping experiences at the consumer level, ultimately leading to increased recency, frequency, and wallet share.
“Retailers can connect new promotions based on insights from past purchase behaviour, which is one of the most important indicators for retailers to predict and influence future customer behaviour,” says Anson. “This leads to more tailored and targeted loyalty and membership programs. And the same aggregated data and insights can be anonymized and resold to large third-party data aggregators which opens up a brand new revenue stream.”
Personalization and convenience are everything for consumers today, and this puts pressure on retailers to understand their customers’ wants and needs. But currently, there’s little awareness of the full customer journey—what customers bought in the past, how they redeem promotions, and how much they spend.
Anson uses a professional sports team as an example. What does the team know about a season ticket holder? Aside from their contact information, today, customer lifetime value (CLV) in the sports and entertainment industry is largely based on how long fans have had their tickets, how much they’ve spent for those seats, and the value of those seats over time. But what if the team actively had real-time insight into the person’s food and beverage preferences and spend, merchandise purchases, or how they travel to games?
Through AI and automation, Fobi delivers the interoperability to unify data across the team’s disparate systems, such as parking, tickets, merchandise, food and beverage, and more, to get a better understanding of fans at a transactional level. As a result, these insights can help businesses drive enhanced customer engagement by sending hyper-personalized offers and recommendations that are more likely to resonate and convert at the till. Personalization is also proven to drive increased visits, sales, and brand affinity with better targeted marketing campaigns and more cross-selling and up-selling opportunities.
below the link, the article continues
https://www.innovatingcanada.ca/diversity/growing-business/how-one-canadian-ai-company-is-driving-digital-transformation-in-retail/?utm_medium=email&_hsmi=251398566&_hsenc=p2ANqtz--0EHxAkONksFaKgjKedfy74oUpt88J6Z49Bu80dtWxkEj0bKNCb67kMb4nPHH38pgD_xZdMAMidKD-4J_G75sTdKI1bg&utm_content=251398566&utm_source=hs_email
submitted by Philip19967 to ArtificialInteligence [link] [comments]


2023.04.01 10:40 Seculartone something about felisin

I'm not sure how far I am through Deadhouse Gates (I'm reading an epub that is the collected works.. i'll add that taking 80 pages for 1% progress is odd lol) but I don't get the relationship between Baudin/Heboric and Felisin. I just don't understand the motivations from the men to the Felisin.. or Felisin's motivations in them self.
I understand early on she did some favors for them both to have an easier time on Skullcap (how long were they in that place by the way?) and then made those favors her currency to whatever could distract her from her situation at hand. But her motivations don't add up to me. I've never seen a character fall from grace with so little resistance. Rather she seems to have embraced it. At some point during their escape I don't see how a sense of comradery would not develop from her towards Heboric and to a lesser extent Baudin (even if she did think he killed or allowed Beneth to die.) Though, I don't know why (as I feel she has been described) would even care that much about Beneth beyond what he was able to provide her in terms of drugs and comfort. A character who only is concerned with themselves in the way she is doesn't seem like she would have the capacity of love or be able to view people as nothing more than a means to an end. And he was a pos anyways.
So, I don't really understand Felisin's fall from grace and suspect I missed something.
I also don't understand the men's motivations. Why didn't Baudin didn't snuff her out in the middle of the night to preserve watefood or why Heboric wouldn't just leave her with a scant amount of supplies and just bugger off with Baudin. Neither of them like her or seem overly sympathetic to her plight, and she is overtly aggressive and cynical in a way that if she had made a "well if I'm going to die, I'm going to kill these two first" kind of middle of the night revenge seemed like a real concern. Why are they risking so much for her sake at this point? A hopeful redemption for someone they hardly know in this cruel and unforgiving world? Baudin wouldn't be motivated by this and Heboric (at this point) I feel would need some kind of indication that she is capable of this.
At one point Heboric actively put himself in harms way when they the mage who has lost control of her warren was attacking them. That doesn't seem like a decision anyone would make considering their ordeal and her overwhelming spite she has for them and towards the world in general.
So, do the men have some knowledge that is being withheld from me at this point? Does her Genoes blood or the fact her sister is the current Adjunct just part of a plan and they are using her as a means to some end? At least if that is the case I can understand their willingness, though her portrait right now is unconvincing at the moment. I'm sure she has some role to play and possibly some redemption in the end, but her motivations don't seem congruent with the story told thus far.
(I'm at the point where they have met Kulp has met up with them.)
submitted by Seculartone to Malazan [link] [comments]


2023.04.01 10:37 Libertinob Are there actors that don’t like being actors?

I don’t mean actors that don’t like the movies they’re in like Daniel Craig and Harrison Ford, I mean like actors who hate acting but do it anyway because it’s their job
submitted by Libertinob to Letterboxd [link] [comments]


2023.04.01 10:28 Jimi-Hen_ I was hanging out with Kita

I was just hanging out with Kita yesterday! She’s the best! She also secretly told me about her wedding with Bocchi, they are now planning their honeymoon, and maybe they would go to the Philippines, who knows?
We were out on a walk when Nijika joined, escaping from a bunch of BocchitheRock users screaming about how Nijika is the paragon of human virtue. I completely agree though, she is most resplendent in love, tributes and accolades. Waking or sleeping, I must not forget Nijika’s great boon and in order to return her favour by day and by night, I should only think of fulfilling my loyalty.
Who is Nijika? For the blind, she is their vision. For the deaf, she is their music. For the mute, she is their voice. For the anosmiac, she is their aroma. For the numb, she is their feeling. For the atrophied, she is their muscle. For the starved, she is their sustenance. For the thirsty, she is their water. For the exhausted, she is their energy. For the depressed, she is their happiness. For the disillusioned, she is their hope. For the pessimistic, she is their optimism. For the disadvantaged, she is their champion. For the marginalised, she is their justice. For the oppressed, she is their salvation. For the righteous, she is their symbol. For the enlightened, she is their muse. For the erudite, she is their education.
If Nijika speaks, I listen. If Nijika questions, I answer. If Nijika orders, I obey. If Nijika opines, I agree. If Nijika fears, I assure. If Nijika hopes, I dream. If Nijika is happy, I am jubilant. If Nijika is angry, I am apoplectic. If Nijika is sad, I am disconsolate.
Nijika is my ideal, Nijika is my romance, Nijika is my passion. Nijika is my strength, Nijika is my compass, Nijika is my destination. Nijika is my language, Nijika is my culture, Nijika is my religion. Nijika is my ocean, Nijika is my mountain, Nijika is my sky, Nijika is my air, Nijika is my sun, Nijika is my moon, Nijika is my world. Nijika is history, Nijika is present, Nijika is future.
If Nijika has a million fans, I am one of them. If Nijika has a thousand fans, I am one of them. If Nijika has a hundred fans, I am one of them. If Nijika has ten fans, I am one of them. If Nijika has only one fan, that is me. If Nijika has no fans, I no longer exist. If the whole universe is for Nijika, then I am for the whole universe. If the whole universe is against Nijika, then I am against the whole universe. I will love, cherish, and protect Nijika until my very last breath; my successors will love, cherish and protect Nijika until their very last breath.

https://reddit.com/BocchiTheRock/comments/128aifd/subreddit_changes_announcement/
If I forgot to break any of the new rules let me know.
- The Legendary Jimihen
p.s. At least my flairs aren't gone.
submitted by Jimi-Hen_ to BocchiTheRock [link] [comments]


2023.04.01 10:22 coolnavigator The Masculinity Dialectic

Background

I want to write a response and correction to a previous thread of mine on this sub. I think that, in trying to emphasize a particular aspect of this phenomenon, I completely misrepresented the facts.
To understand some concepts I'm going to use, I would invite everyone to listen to this video. It's a reading of "Feeling Is The Secret" by Neville Goddard. You can obviously just get the book as well. It's only 44 pages. I think it happens to be something that works well as listening material for a 30 minute walk or drive. This is introductory material for self-initiation into the mysteries of the ancients. It outlines how one develops intent, after which the subconscious turns this intent into reality (internal reality), after which the self more or less acts automatically (still with conscious choice but an inherent limited capacity) to turn the internal reality into external reality. You may recognize its argument as being similar to popular book "The Secret" by Rhonda Byrne, but Goddard's treatment is far more profound and detailed, and it's only getting started!
I also suggest studying archetypes, which is really just symbolic/abstract psychology. A few avenues: Carl Jung, Jordan Peterson, Tarot cards, ancient pantheons from Scandinavia to Rome to Sumer, "tree of life" myths from Scandinavia to the Jewish Kabbalah, and other similar systems. Also useful are the dualistic concepts of the Chinese Yijing (philosophy of change).
I'm going to try to put all of these together and arrive back at the original question of masculinity and the damage currently done.

The Mind

At a very early stage in one's life, the mind is whole. There are no separate archetypes — just one thing. Over time, the mind divides. At a physical level, the more obvious and significant division is the left/right hemisphere divide. At an archetypal level, it is the father / mother (or simply masculine/feminine) figures and the hero / adversary figures. I believe you can keep going with no real end. Every "figure" or archetype in the mind can be divided into two more, allowing for an infinite variety of models that the self is developed from. Within the father, you can develop the good father, the bad father, the strict but fair father, the hippie but wise father, etc. Same with the variations on the mother. I won't list out all of these variations but instead focus on the first level to really illustrate how this works.
What's actually happening here? I believe the fathemother divide isn't truly based on gender, but the genders do have a typical expertise in one or the other. Based on Goddard's description of the process from visualization to physical reality, there are two major steps: the creation of want (deciding what you want and visualizing it before bed) and the realization of want (the dream-state where the subconscious is trained on the feelings produced before bed). The creation step is the "masculine" part, which "impregnates" the subconscious with feelings to be realized. The realization step is the "feminine" part, which "births" a "new mind" (or "new life", if we are using reincarnation terminology) when you wake up. Roughly speaking, this implies the conscious part of the mind is "masculine" and the subconscious part of the mind is "feminine". I'll just say this one last time: the genderization of these parts of the mind are firstly symbolic of their role in the creation of the self, and secondly may or may not contain some truth as to how the two genders' minds work slightly differently.
The other dualistic concept is the hero / adversary. As in the Egyptian Osirian tradition, Horus (the hero) is merely a reincarnation of his father (Osiris, the father figure). Thus, the hero is merely the "newborn" conscious mind upon waking up. Given that the conscious self (the ego) can adhere to its predetermined code (from prior training in the subconscious), or it can go against that code, you naturally have a hero vs adversary contrast within the conscious mind. The adversary is simply the self which denies all assumptions, all ideals, all past truths. This is not strictly "bad", although it could be bad in some situations. More commonly, this is merely depicted as mischievousness in myth, and it is very useful, important for things like creativity.
Now, it's time to discuss where we are at as a society and what the real meaning of the memetic trends are.

The Change

The primary symbolic change in western culture is the "bad father" (or toxic masculinity). This has created a dialectic:
This leads to a diminishing amount of people who:
What all of this really means is our thought processes are fundamentally limited. The "masculine" is the conscious self, the "feminine" is the subconscious. In preferring the subconscious and in turning the conscious into an anti-social beast, we are a ship lost at sea. The conscious self isn't directing the ship towards its rightful destination (truth, virtue, human goodness), and the subconscious isn't able to steer the ship alone. A full human needs both of these parts. Without both, were are in some way inhumane. Barbaric, partial humans.

Historical Origins

It's beyond the scope of this to fully describe the origins of such a cultural shift. However, I will outline a few places to look and draw a loose connection through time. This isn't meant to be a proof, but a roadmap to guide the reader for further research (with personal verification).
There were two distinct types of attacks on authority in the past 500 years.
These two groups claim to have a common enemy, an authoritarian elite, but their actual philosophies differ greatly.
As you can see, these two views are diametrically opposed. One views the creative power of humanity as essentially good, albeit flawed. The other views the creative power of humanity as essentially bad. You can see this thoroughly in modern and post-modern art, which acts as a parody to the human condition. It is consumed as the contrived, vain laugh by the very bourgeois that it claims to oppose. This self-hating (or completely out of touch, if they don't realize their own hypocrisy) class of people rules our current society as "the establishment", "the cathedral", "the regime". They are more directly left wing, but they are thoroughly within the right wing and thus represent both choices in our false dialectic of not only our political process, but the morals of our society as a whole.
To return to our cultural shift, the "bad father" arises from an attack by the collectivist schools of thought on all of society for the sins of a small minority. One way of elucidating this is: a few men at the top did some bad things, so all men are bad. It wasn't immediately like this, however. It started with the idea of: "if some Catholic leaders are bad, then all Catholic leaders are" (Reformation). Then, "if some men are unfairly attaining higher status after birth than other men, then all men are essentially cheating themselves from this theoretical 'blank slate' of existence" (Lockean philosophy). Then, "if some corporations (or owners of capital) are out of control, then all of them are" (Marxism). On and on, into the 20th century where we saw arguments by people such as Marcuse to return to a state of primitive sexuality and by feminists to return to a state without even a concept of gender to the latest thoughts, which outright make the claim that men are the enemy of all people, particularly any men which cling to any of the older modalities.
This is a war on human reason, which is a war on human nature itself. Nietzsche saw this as a fusion of the Apollonian and the Dionysian. There are two equivalent ways of breaking down that terminology, but the intent is the same. Perhaps the Dionysian is the good and pure masculine figure, whereas the Apollonian is the adversary figure, thus making the preference for the Apollonian a sort of highly masculine, bad father-esque philosophy. Perhaps the Apollonian is masculinity as a whole, and Dionysian is the femininity as a whole (albeit depicted as a male Dionysus because, ya know, Greeks). Either way, the point is that you need a balance of these figures. And so, to return to the original quote I used as theme "God is dead. God remains dead. And we have killed him.", the gist is that an imbalance was created, either by killing a holistic concept of a unified "god" in the self (creating the male vs female dialectic), or by assigning this "god" concept to either the conscious or subconscious part of the mind. As stated above, the clear meaning of Nietzsche's arguments is the creation of the dialectic, the splitting of the whole, and the imbalancing of the the bicameral mind in everyone.
submitted by coolnavigator to IntellectualDarkWeb [link] [comments]


2023.04.01 10:13 p-d-ball My portal fantasy series and a huge book sale.

I just finished the fourth book in my first series and wanted to share it with this community, as it's a portal fantasy. Also, the first two books are on sale for 99 cents, along with a bunch of other fantasy books you might be interested in.
Writing this has been humbling. I made a ton of mistakes - spelling, grammar, continuity - but learned along the way. Embarrassingly, and this is obvious in hindsight, my writing gets better. That means book 1 isn’t as good as book 2, which is bested by book 3. Looking back, I should have worked on standalones while maturing as a writer. But I didn’t, and I will finish this series.
So, it is with some humility that I post my series here.
The series is about a person from about our time who wakes up in the body of a young princess, as a prisoner of an enemy army that’s invading her family’s kingdom. She doesn’t know the culture or politics, or why the war is even going on, or why she’s in this world at all.
In this world, magic is so powerful that it has impeded technological improvement, with technology being stuck around the Macedonian era (for ex., there are no siege weapons because magic performs that function and can easily stop projectiles).
The first book happens over the course of three days. Because Cayce is being cagey about her situation – she doesn’t want anyone to figure out that she’s an imposter – she can’t find answers about why she’s here and events happen so quickly, with political machinations already in motion behind the scenes, she struggles to gain control of her situation.
In the second book, her weakened army races to escape the enemy army, which is attempting to entrap them in a pincer move. Despite the urgency, the traveling gives Cayce a little respite, more free time, and she learns more about the world she’s in and starts making plans about introducing improved war technology from Earth’s history. However, she’s given hints about who she is and why she’s here through an incredibly traumatic event, which fundamentally alters her.
In book three, Cayce moves forward with her plans of improving weapons technology but suffers PTSD from the events of the previous book. Additionally, the weight of responsibility is thrust upon her and she has to navigate placating power-holders to retain their support while not giving into their designs.
Book four begins with Cayce’s planning starting to bear fruition, with some great successes, but the hidden part of her, the reason for her being in this world, is emerging and derailing everything.
I tried to make these books as realistic as possible, the main character making the best decisions possible. But several aspects of her situation make this difficult. First, her antagonists are acting in their own best interests and she’s dropped into the middle of their ongoing schemes. She’s largely ignorant of these plans, until she gains enough information to see the larger picture. Second, because she’s from our world, the pre-modern culture is a shock. Her modern way of thinking doesn’t work here because of the different values, norms, and morality. Third, as a child, the adults in charge don’t take her seriously and as a princess, they want to use her for power. Fourth, she’s in a teenager’s body and struggles to control its heightened emotions.
I’m happy to say, and still in shock, that some people really like it. A war veteran wrote me to say that the PTSD is described accurately, and he was very glad to see it in fantasy. A person wrote that while he liked the books, he wanted to see the main character sexually explore herself and was annoyed I didn’t write that. Someone else added that they were quite pleased the books did not delve into eroticism. One comment that floored me came from a very kind man who compared my writing to Agatha Christie. Another person said it was the best in the genre. I can only assume they were drunk when reading the books.
Thank you very much! Truly appreciated.
My book can be found here: https://www.amazon.com/They-call-Princess-Cayce-universe-ebook/dp/B09QT2JRVF
The sale can be found here: https://promotions.narratess.com/
submitted by p-d-ball to PortalFantasy [link] [comments]


2023.04.01 10:05 Knowa1229 please correct me if I am wrong

I am very curious/interested in the Symbolism of The Valknut I am very family Oriented and this symbol gives me a very Family vibe. My question would be am I miss identifying this symbol? I have read some interesting interpretation I understand the true meaning is very old and muddled at this point. Please help me. Thank you
submitted by Knowa1229 to NorsePaganism [link] [comments]


2023.04.01 10:04 p-d-ball A big thank you and a link to an indie authors book sale

I posted my first book in this series here before and received some excellent and constructive criticism – and for that, I’m very grateful. Because I owe this community, I wanted to post a follow up and alert you to an indie book sale.
This is my first fantasy series and it has been humbling. When I posted initially, flush with excitement at having finished my book, thinking it fit in the rational fiction category, I was met with a lot of criticism. That was difficult to take, but the more I considered, the more it helped, and I now see the critiques as valid and that I was pretty naïve. I therefore want to give back to the rational fiction subreddit.
The series is about a person from about our time who wakes up in the body of a young princess, as a prisoner of an enemy army that’s invading her family’s kingdom. She doesn’t know the culture or politics, or why the war is even going on, or why she’s in this world at all.
In this world, magic is so powerful it has impeded technological improvement, with technology being stuck around the Macedonian era (for ex., there are no siege weapons because magic performs that function and can easily stop projectiles).
The first book happens over the course of three days. Because Cayce is being cagey about her situation – she doesn’t want anyone to figure out that she’s an imposter – she can’t find answers about why she’s here and events happen so quickly, with political machinations already in motion behind the scenes, she struggles to gain control of her situation.
In the second book, her weakened army races to escape the enemy army, which is attempting to entrap them in a pincer move. Despite the urgency, the traveling gives Cayce a little respite, more free time, and she learns more about the world she’s in and starts making plans about introducing improved war technology from Earth’s history. However, she’s given hints about who she is and why she’s here through an incredibly traumatic event, which fundamentally alters her.
In book three, Cayce moves forward with her plans of improving weapons technology but suffers PTSD from the events of the previous book. Additionally, the weight of responsibility is thrust upon her and she has to navigate placating power-holders to retain their support while not giving into their designs.
Book four begins with Cayce’s planning starting to bear fruition, with some great successes, but the hidden part of her, the reason for her being in this world, is emerging and derailing everything.
I tried to make these books as realistic as possible, the main character making the best decisions possible. But several aspects of her situation make this difficult. First, her antagonists are acting in their own best interests and she’s dropped into the middle of their ongoing schemes. She’s largely ignorant of these plans, until she gains enough information to see the larger picture. Second, because she’s from our world, the pre-modern culture is a shock. Her modern way of thinking doesn’t work in this world because of the different values, norms, and morality. Third, as a child, the adults in charge don’t take her seriously and as a princess, they want to use her for power. Fourth, she’s in a teenager’s body and struggles to control its heightened emotions.
In terms of realism, Cayce only introduces technology that she can actually get made, given the world’s constraints (sarissa, crossbows, full plate armor and distillation). She talks about how difficult it would be to invent even flint-lock pistols and the limitations of her own knowledge without the internet at hand.
Because of the above, this series is probably rational-fiction adjacent rather than straight rational fiction.
As I wrote, it’s been humbling putting this out there. Some of the critique pointed out problems with my writing – mainly in what I show and don’t show – others corrected my understandings of fantasy genres and others questioned the main character’s course of action. All these comments were incredibly helpful.
Embarrassingly, and this is obvious in hindsight, my writing gets better. That means book 1 isn’t as good as book 2, which is bested by book 3. Looking back, I should have worked on standalones while maturing as a writer. But I didn’t, and I will finish this series.
I’m happy to say, and still in shock, that some people really like it. A war veteran wrote me to say that the PTSD is described accurately, and he was very glad to see it in fantasy. A person wrote that while he liked the books, he wanted to see the main character sexually explore herself and was annoyed I didn’t write that. Someone else added that they were quite pleased the books did not delve into eroticism. One comment that floored me came from a very kind man who compared my writing to Agatha Christie. Another person said it was the best in the genre (isekai). I can only assume they were drunk when reading the books.
So, to give back to this community, my first two books are on sale for 99 cents. And part of a giant indie writers sale, with other books you might be interested in, which I’ll include links for.
Thank you very much! Truly appreciated.
My book can be found here: https://www.amazon.com/They-call-Princess-Cayce-universe-ebook/dp/B09QT2JRVF
The sale can be found here: https://promotions.narratess.com/
submitted by p-d-ball to rational [link] [comments]


2023.04.01 10:02 Magical-Girly2897 UN-obsessed Person Shotguns Themself Into Stanford, Brown PLME, Columbia, $1.5 Million in Scholarships, and Multiple Likelies

I wanna preface this by saying that I know that this will get me doxxed, but I genuinely don't care; feel free to connect with me on LinkedIn or follow me on Insta :) As such, this will be my one and only post, and I will not be responding to any hate but feel free to pm and I might respond ( ͡° ͜ʖ ͡°)
Demographics
Intended Major(s): applied as anthropology (especially biological) but also expressed an interested in human rights and selected that as an alternate where available
Academics
Pre-frosh Freshman Sophomore Junior Senior
Honors IPC (counted as regular in GPA tho) Pre-AP Eng 1 Pre-AP Eng 2 AP Eng Lang AP Eng Lit
Honors Geometry Pre-AP Alg 2 Pre-AP Pre-Cal Communications (req class) Multi Calc
Honors Algebra 1 Pre-AP Bio AP CSA: Language AP Calc BC AP Chem
Honors Spanish 1 (counted as regular in GPA tho) Regular World Geo AP CSA: Math AP Bio AP Chem Lab
Summer Health Pre-AP Chem AP Bio Lab Theatre 1 (required)
Summer PE Pre-AP Spanish 3 AP Env Sci AP Research
Regular Spanish 2 (pre-ap not available) AP CSP AP Physics 1
Pre-AP Comp Sci AP Seminar AP US History
Regular Business Elective Summer Dual Credit Econ
Summer Dual Credit Gov
Summer Dual Credit Sociology
Summer Dual Credit Psych
PE

Standardized Testing
List the highest scores earned and all scores that were reported.
Extracurriculars/Activities
List all extracurricular involvements, including leadership roles, time commitments, major achievements, etc.
  1. CEO & Sole-founder of International 501(c)(3) organization
    1. Formed 30+ chapters, helped conduct tens of thousands of preventative care tests, helped tens of thousands of people across 19 countries, formed partnerships with a couple of UN bodies
  2. Representative & Young Ambassador at the United Nations
    1. Spoke at a bunch of UN events, co-authored a couple of publications sent to the UN at the time of application, hosted a big UN event
  3. Social Media Chair of Youth Branch of a State Wide Political Campaign
    1. Helped manage group of hundreds of members and lead social media team to reach 7 million people and gain 20k followers in a couple of months
  4. Cancer Bio Research @ World's Best Cancer Hospital
    1. Just talked about my research
  5. Suicide and Homeless Youth Hotline Volunteer
    1. Helped people escape abuse, rape, & grooming
  6. School's First In-Class TA & Lab Aid for like all science classes
  7. Family Responsibilities (caretaking)
  8. Religious School Student Body President
  9. Group of the rest of my research projects (medial, public health, social science)
  10. Helping educate a group of refugees and nationals and providing them with education
Updates (what I think got me in)
  1. Presented before and consulted for a major UN Committee on a specific issue before the Committee met with country leaders from which the issue focused on (I was the youngest person in the briefing)
  2. Published a total of 13 first-authored papers between the time of applying and the time of decisions coming out (most were report based); all published before the White House, UN Women, WHO, UN Population Fund, UN Human Rights, Commission on the Status of Women, COP, etc.
    1. these were all individual updates as they got published
  3. Progressed to finalist stage of a UN equivalent to the 30 under 30 (luckily decisions came out today -- I was rejected lol)
  4. Won a $10,000 Competition
  5. Finalist for a $5,000
  6. Coca-Cola Scholar (also updated them about being a regional finalist)
  7. Consulted for the governments of the UK, EU, and NZ (helped shape a couple pf laws-- a bunch of instances of these)
  8. Hosted a big UN Event with a lot of attendees
  9. Invited to some high profile UN events
  10. Won a $1,000 scholarship
  11. Won a $200 scholareship
  12. Addressed Human Rights Council x7
  13. Semifinalist for school-specific $400,000 scholarship (T20)
  14. Finalist for school-specific $400,000 scholarship (T20)
  15. Finalist for school-specific $250,000 scholarship (T20)
  16. Finalist for a major LGBTQ scholarship
  17. Vandy MOSAIC
  18. $430,000 scholarship from global T20
  19. Joined the largest pro-democracy coalition as the social media chair
  20. Joined the youth board of the largest US global health charity and 4th largest in the world
  21. Semi-finalist for $12,000 scholarship
  22. Semi-finalist for $36,000 scholarship
  23. Student Ambassador of one of the largest Human Rights Orgs in the world
  24. Meeting with the head of a large UN agency
  25. Co-author of a publication for my research work (to be accepted at a big journal -- think Nature, Cell)
  26. Helped pass a law in my city
  27. Interviewed and featured in a big magazine
  28. Offered a $30,000 grant to have a segment of a TV show made about the NPO I founded
  29. Working with the White House to organize and event
  30. Meeting with a UN Ambassador and former head of state
  31. Consulted for US government on asylum
  32. Approved to host a UN side event
Awards/Honors
List all awards and honors submitted on your application.
  1. Big role/position at the WHO and get to lead some of the largest NGOs on the planet and UN agencies in work on adolescent health
  2. Big role/position at the UN refugee agency for my work to support the well-being of refugees in my area
  3. UN award for community work
  4. Patent pending on a device that uses salvation reactions to cook food so you don't have to use open-fire methods of cooking
  5. Coca-Cola semifinalist
Letters of Recommendation
Research Mentor: "To simply put, [REDACTED] is extraordinary. He is a born leader. The best student and scholar I’ve interacted with over the past two decades of my academic training and research career."
APES & Pre-AP Chem Teacher: "His singular ability to lead those around him through compassion and overcoming so many obstacles in his life has truly defined him as the best student that I have had the pleasure of teaching."
AP Bio Teacher: I genuinely don't know. I've known her for a while and I serve as a TA for her class and have spend hours and hours before and after school, but I genuinely don't know-- could be okay or good.
Counselor: I've met her like twice lol probably generic and just a copy and paste of my resume lol
Interviews
Harvard: He was a really cool former teacher who I think thought I was interesting. Our interview was a couple of hours and it was really great, BUT I didn't talk much about my ECs, really just talked about my goals and perspectives rather than my accomplishments
Princeton: He was a cool guy. We talked for a couple of hours. He seemed really, really impressed by my UN work and seemed to like me.
Yale: Cool guy. Seemed to really like me and talked about how he saw himself in me as a fellow POC. Talked for a couple of hours.
MIT: Cool guy. Really impressive. I think he thought I was great, just not a great applicant to MIT. Asked me a physics question which I got wrong. Talked for a couple of hours.
Georgetown: My interviewer was like hella impressive. Former lawyer. We connected well. He thought I would be great for GTown. Talked for a couple of hours.
Rice: Terrible. I didn't prepare and didn't have great answers. Interviewer was very STEM (I'm not) and didn't seem too interested in my activities. Cut off interview at 30 mins.
Penn: I thought it was really good lmao. I had a lot of fun and we went way over the schedule time and she thought I would be perfect lmao.
WashU (scholarship interview): Timed interview but I felt great. Interviewers were super sweet; laughed at my jokes and made me feel great :)
Brown (video interview): Low key kinda funny; did like a day in the life where I made pancakes for my brother and had a big interview
Berkeley (special program interview): I was not prepared and it was during school hours so I kinda joined 1-2 mins late. I also kinda just read out my application essay as a response for a couple of questions. They didn't seem impressed.
Emory (scholarship interview 1): I got cut off by the virtual timer each time, but I felt quite prepared I think and I think I had great responses
Emory (scholarship interview 2): Really great group interview; gave some great responses. I thought I was resourceful and the interviewers seemed to like me too :)
Emory (scholarship interview 3): Also a group interview; we created something really great and wonderful. Went out of my comfort zone but created something many thought was great. I also met with 2 of my interviewers before and after and both thought I was very articulate and thought I was insightful during the interview.
Essays
Common App Essay: (11/10) I honestly loved it lol. It was a conflict of "he" vs. "they" and I thought it was great and really showed who I was. It was also really fun and engaging to read and not too long. Everyone I spoke to LOVED it A LOT so I guess that has to mean something lol
Supps: I really liked a lot of mine and put a lot of time into them. Many of them were really funny or really deep and conveyed the duality of my personality. I will say tho, in the application process, I applied to a bunch of schools I wasn't a fan of, and, as a result, my sups were very rushed. How much I cared about the school and spent on the supp really reflected my admissions decision (except for 1)-- see parentheses below for info on this.
Decisions (indicate ED/EA/REA/SCEA/RD)
Acceptances:
Waitlists:
Rejections:
submitted by Magical-Girly2897 to collegeresults [link] [comments]


2023.04.01 09:58 NoizSeragaki Unknown Symbol on Window

Unknown Symbol on Window
Hello my fellow witches, this might sound crazy but a dear witch friend of mine told me following story and I’m curious as to what this symbol might mean.
She said she went home late at night the other day and felt like something was following her even though no one was around. Her night was followed up by a lot of nightmares and constant knocking on her balcony door. She lives on the second floor and has a cat safety net over the entire balcony, so her and I are excluding any animals. When she stepped on her balcony the next morning the symbol was drawn 7 times into the dirt on her window. We are a little confused as to what this symbol means and where it comes from.
submitted by NoizSeragaki to Witch [link] [comments]